thu 22/05/2025

tv

Anzac Girls, More4

Adam Sweeting

For Australians and New Zealanders, the grim meat-grinder of the Gallipoli campaign in 1915 was their equivalent of the Somme, albeit under brilliant Aegean skies. The Australian-made Anzac Girls is based on real-life diaries and letters from the era, and homes in on five nurses from Down Under who were sent to treat the casualties. Inevitably they found conditions far more shocking and horrific than they'd imagined.

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The Game, BBC Two

Tom Birchenough

Rum old business, espionage – at least in the way we Brits are still pursuing it. For all the reality that the existential threat has long moved locations, in its television incarnations we remain addicted to the Cold War, the attraction to those gloomy postwar years seemingly a fatal one. The BBC’s new spy drama The Game was back in prime le Carré territory and the early Seventies, with industrial unrest and power cuts further turning down the visual wattage.

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Peter Kay's Car Share, BBC One

Veronica Lee

Peter Kay's first sitcom in 10 years is always something to look forward to, and it achieves another first: the BBC made the six-parter available on iPlayer to watch in its entirety before showing it on a terrestrial channel, and it has broken all viewing records.

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24 Hours in the Past, BBC One

Jasper Rees

The past is a foreign country. Celebrities do things differently there. Programmes which put people in time machines and whizz them back to a less centrally heated era have been around for a while. Back in the day they’d pick on ordinary people and make them live as a skivs and drudges in some specifically benighted era before the invention of such new-fangled concepts as electricity or the flush mechanism or gender equality. But that was then.

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Empire, E4

Adam Sweeting

What Nashville did for country music, Empire may very well be about to do for the lurid world of hip hop. If not more so. Created by Lee Daniels (director of Precious) and written by Danny Hunger Games Strong, it's about ailing music mogul Lucious Lyon and how he must decide which of his three sons to hand over his Empire Entertainment conglomerate to.

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Tales From the Tour Bus: Rock 'n' Roll on the Road, BBC Four

Barney Harsent

This latest Friday night vehicle for archive footage and pop performances was the tour bus, as BBC4 invited us to hop into the back of the van for a quick spin through the "golden age" of touring rock bands (which the producers clearly felt ended with the Eighties).

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W1A, Series 2, BBC Two

Jasper Rees

Should the BBC take the piss out of itself? Of course we must all laugh at our own failings, but the function of satire is to laser in on the faults of others for comedic ends. Isn’t it? The satirist's task is to point the finger elsewhere. Juvenal and Swift and Hislop don’t get up in the morning, look in the mirror and say, “Christ, I’m hilariously bad at what I do. I must tell the world.”

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This World: World’s Richest Terror Army, BBC Two

Tom Birchenough

You haven’t had to actually watch the brutal executions staged by Islamic State (IS, or ISIS or ISIL, as it’s also known) to register them: just a single image registered has been more than enough to horrify. Managing to penetrate the world’s consciousness to such an extent has surely been one of the terror group’s most singular achievements.

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Safe House, ITV

Adam Sweeting

The title is, of course, ironic. The house in question is a rambling refurbished dwelling deep in the Lake District, reached by driving through lonely wind-blasted valleys and across rain-thrashed hillsides. It's where a former policeman, known only as Robert (Christopher Eccleston), has come to heal himself after a traumatic near-death experience.

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BBC Young Dancer 2015, BBC Four

Hanna Weibye

Lest the BBC Four imprint prove not strong enough a signal, I'll say it loud and clear: don't go into this expecting Strictly, kids. On the evidence of last night's contemporary dance showdown, the first of four section finals, the brand new BBC Young Dancer competition is light years from the razzmatazz, sparkling scoreboards and celebrity judge infighting of the BBC One dance flagship.

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