violence
'The din is loud these days': playwright Cordelia Lynn on her imminent premiere at the Donmar WarehouseMonday, 11 October 2021
As I write this, we've just had our final day in the rehearsal room and are going into tech onstage next week with my new play, which is also reopening the Donmar not only to live performance but follows major renovations at their home address.It’s... Read more... |
Rose Plays Julie review - a sombre story of rape, adoption and a search for identitySaturday, 18 September 2021
Rose (Ann Skelly; The Nevers) is adopted. The name on her birth certificate is Julie and the possibility of a different identity – different clothes, different hair, different accent - beckons. If she could embrace this second life, she thinks, she... Read more... |
Edinburgh Fringe 2021: Screen 9Monday, 23 August 2021
The popcorn on offer as you enter the Pleasance’s performing space at the Edinburgh International Conference Centre quickly fills the air with its rich, sugary scent. It’s a smell that sets the scene nicely for a show set in a cinema, but also an... Read more... |
Riders of Justice review - revenge, coincidence and the meaning of lifeThursday, 22 July 2021
All events are products of a series of preceding events. Or is life just a chain of coincidences? And if so, what’s the point in anything? Danish director Anders Thomas Jensen’s brilliantly inventive, genre-busting black comedy starts with a bicycle... Read more... |
Adam Mars-Jones: Batlava Lake review - pride and prejudice in the Kosovo WarFriday, 16 July 2021
For a slim book of some 100 pages, Batlava Lake by Adam Mars-Jones is deceptively meandering. The novella is narrated by Barry Ashton, an engineer attached to the British Army troops stationed with the peacekeeping forces during the Kosovo War.... Read more... |
DVD/Blu-ray: County LinesSunday, 25 April 2021
The website of the National Crime Agency offers the following definition of County Lines: “[it is] where illegal drugs are transported from one area to another, often across police and local authority boundaries (although not exclusively), usually... Read more... |
Saint Maud review - creepy and strangely topical psychological horrorThursday, 08 October 2020
It only takes a few seconds of Saint Maud – dripping blood, a dead body contorted on a gurney, a young woman’s deranged face staring at an insect on the ceiling, an industrial clamour more likely to score the gates of hell than the pearly... Read more... |
Savage review - an immersive look at gang culture in Wellington, New ZealandThursday, 10 September 2020
Not to be confused with Savages, the Oliver Stone film of 2012 about marijuana smuggling, Savage is a story of New Zealand street gangs: how to join and how to escape, which, when you’ve got the words Savages and Poneke (the Maori name for... Read more... |
Selva Almada: Dead Girls review – the stark proximity of women to violenceSunday, 06 September 2020
Selva Almada’s newly translated work has a stark title in both English and the original Spanish: Dead Girls, or Chicas Muertas. That apparent bluntness belies the hybrid sensitivity that makes up the pages. Its subject matter is the murders of three... Read more... |
Random Acts of Violence review - study in horror lacks scaresThursday, 20 August 2020
The debate about whether violent films cause violent acts has been around for decades. From Mary Whitehouse’s puritanical crusade against films such as The Exorcist, to recent movies like Joker, pundits, columnists and even psychiatrists... Read more... |
Infamous review - Bonnie and Clyde for the digital age fails to deliverThursday, 30 July 2020
Like a sub-par Natural Born Killers for Gen Z, director-screenwriter Joshua Caldwell’s latest film, featuring Disney-child-star-turned-porn-director Bella Thorne, tackles the perils of social media like a parent trying to navigate TikTok.... Read more... |
Good Manners review - compellingly eerieSaturday, 18 July 2020
Stylish, eerie and unexpectedly moving by the time of its apocalyptic finish, the strangely titled Good Manners makes for a genuine celluloid surprise. Written and directed by Juliana Rojas and Marco Dutra, this genre-defying Brazilian... Read more... |
