Fourth Plinth winners announced | reviews, news & interviews
Fourth Plinth winners announced
Fourth Plinth winners announced
Friday, 14 January 2011
'Powerless Structures, Fig. 101': Elmgreen & Dragset's rocking-horse winner
The title may suggest it’s a difficult conceptual work, but Powerless Structures, Fig 101, by Nordic duo Elmgreen & Dragset, had appeared to win the popular vote for the Fourth Plinth from the outset. And rather than being difficult, it is, in fact, an immediately appealing and cheekily uplifting image of a boy riding his rocking horse. It was unveiled by Mayor Boris Johnson earlier today as one of two winners of the Fourth Plinth commission for 2012 and 2013. The second winner is German artist Katharina Fritsch’s Hahn / Cock (pictured below), which will see a giant cock in ultramarine blue surreally presiding over Trafalgar Square in 2013.
The title may suggest it’s a difficult conceptual work, but Powerless Structures, Fig 101, by Nordic duo Elmgreen & Dragset, had appeared to win the popular vote for the Fourth Plinth from the outset. And rather than being difficult, it is, in fact, an immediately appealing and cheekily uplifting image of a boy riding his rocking horse. It was unveiled by Mayor Boris Johnson earlier today as one of two winners of the Fourth Plinth commission for 2012 and 2013. The second winner is German artist Katharina Fritsch’s Hahn / Cock (pictured below), which will see a giant cock in ultramarine blue surreally presiding over Trafalgar Square in 2013.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more
Richard III, Shakespeare's Globe review - Michelle Terry riffs with punk bravado
A female cast rips into toxic masculinity in a rebalanced treatment of villainy
Album: Isobel Campbell - Bow to Love
The Scottish singer's latest is woozy, ultra-laidback and sometimes delicious
Between Riverside and Crazy, Hampstead Theatre review - race, religion and rough justice
Stephen Adly Guirgis’s Pulitzer-Prize winner finally makes it to London
'I think of her as a proto-punk': documentarist Svetlana Zill on Anita Pallenberg
The co-director considers her revelatory account of the Stones' muse of mayhem
theartsdesk Q&A: Eddie Marsan and the American Revolution, posh boys and East End gangsters
Versatile actor on playing John Adams opposite Michael Douglas in Apple TV+’s ‘Franklin'
Passing Strange, Young Vic review - exuberant pocket musical with a thoughtful core
Giles Terera excels leading a livewire cast in an irreverent look at Black identity
Album: Samana - Samana
Hypnotic psychedelic folk from the Welsh valleys
DVD/Blu-ray: Billy Connolly - Big Banana Feet
The comic caught on the cusp of his fame as he tours Ireland in 1975
The Great Escape Festival 2024, Brighton review - 12 hours on the musical frontline of Day Three
Checking out gigs by Being Dead, Kneecap, Pip Blom, Looking Glass Alice and more
Rebus, BBC One review - revival of Ian Rankin's Scottish 'tec hits the jackpot
Richard Rankin makes a compelling debut as the unorthodox Edinburgh cop
Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in-the-Fields review - Beethoven, younger than springtime
An exuberant cobweb-clearing symphony cycle
Die Zauberflöte, Glyndebourne review - cornucopia of visual inventiveness eclipses everything else
An operatic feast for the eyes doesn't translate into conceptual satisfaction
Add comment