mon 24/06/2024

sculpture

Brancusi, Pompidou Centre, Paris review - a sculptor's spiritual quest for form and essence

One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the Romanian-born sculptor’s work since 1995, provides an exhilarating and in many ways definitive...

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Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight

Yinka Shonibare’s Serpentine Gallery exhibition opens with a piece of cloth twirling in the breeze; except that it’s a bronze sculpture probably weighing a ton or more – such is the power of art (pictured below right: detail of Wind...

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When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

Under the guidance of director Ralph Rugoff, the Hayward Gallery seems hell bent on reducing art to the level of fun for all the family. And as though to prove the point, cretinous captions strip the work of all meaning beyond the banal, while press...

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Michael Peppiatt: Giacometti in Paris review - approaching the impossible

We begin with a dead-end. In 1966, Michael Peppiatt – at the time “an obscure young man” – travelled to Paris to meet the crumbling but venerable form of Alberto Giacometti, a letter of introduction written by Francis Bacon tucked into his pocket.He...

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Donna Fleming: Apocalypse, The Pie Factory, Margate review - personal passions and intense feelings

Donna Fleming’s exhibition at the Pie Factory Gallery in Margate is called Apocalypse, which is confusing because it has nothing to do with the end of the world. Fleming does not even watch the news because she “does not want to think about...

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Isamu Noguchi, Barbican review – the most elegant exhibition in town

Isamu Noguchi may not be a household name, yet one strand of his work is incredibly familiar. In 1951 he visited a lamp factory in Gifu, a Japanese city famous for its paper lanterns. This prompted him to design the lampshades that, for decades,...

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The Making of Rodin, Tate Modern review - surrealist tendencies

Undoubtedly the strangest thing in this exhibition dedicated to Rodin’s works in plaster is a rendition of Balzac’s dressing gown, visibly hollow, but filled out nevertheless by the ghostly contours of an ample male form. Not surprisingly, the...

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Camille Laurens: Little Dancer Aged Fourteen review - the story of a sculpture

Edgar Degas is famous for his depictions of ballet dancers. His drawings, paintings and sculptures of young girls clad in the uniform of the dance are signs of an artistic obsession that spanned a remarkable artistic career. One work in particular...

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Visual Arts Lockdown Special 4: half-way houses

With the first round of galleries opening their doors in June and a new round getting ready to open in July, we’ve a half-way home of a roundup this week. This month’s re-openings include the National Gallery, the Royal Academy, the Barbican, the...

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Visual Arts Lockdown Special 2: read, search, listen, create

Arguably one of the most poignant effects of the lockdown has been to simultaneously draw attention to the connections between the arts and the distinct ways they have evolved into their own forms. Sculpture, painting, textiles, performance art,...

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Bill Brandt/Henry Moore, The Hepworth Wakefield review - a matter of perception

Bill Brandt’s photographs and Henry Moore’s studies of people sheltering underground during the Blitz (September 1940 to May 1941) offer glimpses of a world that is, thankfully, lost to us. A year and a half after the end of the bombing...

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Shock of the Nude with Mary Beard, BBC Two review - when does art become erotica?

Are you a fan of oysters or Marmite? Mary Beard is not to everybody’s taste, but love her or loathe her she is not only a distinguished academic but a ubiquitous writer and presenter of classical histories, connected travels, and ruminations on...

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