London
Stephen: The Murder That Changed A Nation, BBC One review - ‘He was a cool guy and everybody loved him’Wednesday, 18 April 2018
When doctors told Doreen Lawrence her son had died she thought, "That’s not true." Spending time with his body in the hospital, aside from a cut on his cheek, it seemed to her he was sleeping. The death of a child will always be strange, and in the... Read more... |
Chicago, Phoenix Theatre review - baggy revival picks up later paceFriday, 13 April 2018
Chicago has been on, in one form or another, for a very long time. The original Broadway production in the Seventies ran for 936 performances; the 1997 London revival was the longest-running American musical in West End history; and it feels like... Read more... |
Deep State, Fox review - secrets, lies and spiesFriday, 06 April 2018
Fox is very keen to stress that Deep State is the first original production by its Europe & Africa division, the most obvious sign of which is that none of it was shot in New York or LA. But it has clearly been designed as a sleek international... Read more... |
Michael Rakowitz: The Invisible Enemy Should Not Exist, Fourth Plinth review - London's new guardianSaturday, 31 March 2018
Fifteen years ago on a cold grey Saturday in mid-February, Trafalgar Square was filled with people marching to Hyde Park in opposition to the proposed invasion of Iraq. A million people gathered in London. Three times that number turned out in Rome... Read more... |
Soprano Ruby Hughes on Handel's last prima donnaSaturday, 31 March 2018
Who was Giulia Frasi? This is so often the response I get when I mention the name of this Italian singer who came to London and became Handel’s last prima donna during the final decade of his life and, consequently, the supreme soprano of English... Read more... |
Classical CDs Weekly: Lūcija Garūta, Dag Wirén, Ruby HughesSaturday, 31 March 2018
Lūcija Garūta: Music for Piano Reinis Zariņš (piano), Liepāja Symphony Orchestra/Atvars Lakstīgala (LMIC/SKANI)The Latvian composer Lūcija Garūta (1902-1977) reached maturity in the early days of Latvian independence, a supremely talented... Read more... |
The Marriage of Figaro, English National Opera review - sassy, probing and splendidly castFriday, 30 March 2018
One year to Brexit, a seemingly endless winter chill and Londoners need soul food, badly. I prescribe an evening of total immersion in The Marriage of Figaro. ENO’s second revival of Fiona Shaw’s sassy, probing production (with revival director... Read more... |
In the Long Run, Sky 1 review - bright start for multiracial comedyFriday, 30 March 2018
It’s quite bold to create a multiracial comedy set in Hackney in the early Eighties, a not especially amusing period of riots, the Falklands War and Thatcherism. Happily, Hackney boy Idris Elba has managed it with a wry eye and a light comic touch.... Read more... |
Misty, Bush Theatre review - powerful meditation on how we tell storiesFriday, 23 March 2018
Arinzé Kene is having a bit of a moment. He won an Evening Standard Film Award for The Pass opposite Russell Tovey in 2016, is about to appear in a BBC drama with Paddy Considine, and has just finished lending his lovely tenor to Conor McPherson’s... Read more... |
Diana Jones, The Lexington review - at the crossroads of folk and countryWednesday, 14 March 2018
The delicious flame-grilled burgers and the vast array of bourbons on offer at the Lexington, hard by yet another “King's Cross Quarter”, added atmosphere to the opening night of Diana Jones’s European tour. Finger licking is (quite rightly) not... Read more... |
Being Blacker, BBC Two review - absorbing film about family, culture and societyTuesday, 13 March 2018
They don’t commission many television documentaries like Being Blacker (BBC Two) any more. That is not unconnected to the fact that Molly Dineen downed her camera a decade ago. Dineen began filming in another age, before the arrival of kiss-me-quick... Read more... |
My Generation review - Michael Caine presents the SixtiesMonday, 12 March 2018
David Bailey taught Nureyev to dance at the Ad Lib club in London in the Sixties. “He was very stiff. He could do all that Swan Lake stuff but he couldn’t do the twist,” remembers Bailey in one of My Generation’s voiceover interviews, some vintage,... Read more... |
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