London
The Buddha of Suburbia, Barbican Theatre review - farcical fun, but what about the issues?Friday, 01 November 2024Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost”. Almost. Yes, that's good. We are in 1970s south-east London, and this immediately introduces, despite its... Read more... |
Alan Hollinghurst: Our Evenings review - a gift that keeps on givingMonday, 04 November 2024In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William Beckwith, lives in Holland Park. That same year and location furnish the setting of the first part of Hollinghurst’s... Read more... |
Blitz review - racism persists as bombs batter LondonFriday, 01 November 2024Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was inflicted on East Londoners by Germany’s eight-month bombardment. The enemy in the movie is not airborne, however.... Read more... |
How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedyThursday, 31 October 2024It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006 memoir differently. My house laughed a lot (me especially) but some see the tragic overwhelming the comic, and the laughs... Read more... |
Book Extract: Where Songs Come From - The Lyrics and Origin Stories of 150 Solo and Carter USM Songs by Jim BobTuesday, 29 October 2024For a few months a couple of years ago, when you googled the name Jim Bob, although you’d get a lot of information about me, Jim Bob, the lead singer from 1990s UK indie punk heroes Carter The Unstoppable Sex Machine, the main image would be a... Read more... |
The Orchestral Forest, Smith Square Hall review - living the orchestra from the insideSaturday, 26 October 2024What’s it like to be in the middle of an orchestra, hugger-mugger with the violas, looking directly over the flautist’s shoulder? Last night’s immersive concert by Sinfonia Smith Square gave the us the chance to find out, the players spread around... Read more... |
Documentary highlights from the 2024 London Film FestivalSaturday, 26 October 2024One of the many pleasures of the London Film Festival is the chance to see high-quality documentaries on the big screen. If lucky, these films might get a brief, specialist cinema release, but all too often non-fiction features are destined for TV.... Read more... |
The Forsyte Saga Parts 1 and 2, Park Theatre review - if Chekhov did soap operasSaturday, 26 October 2024The misadventures and misbehaviours of the English upper-middle class is catnip for TV executives. All those posh types on which us hoi polloi can sit in delicious self-righteous judgement, as we marvel at their cut glass accents, well-tailored... Read more... |
Album: Underworld - Strawberry HotelFriday, 25 October 2024Purveyors of extraordinary energy and euphoria, Underworld never miss a beat. The new album – 30 years on from their debut, and their exposure in Danny Boyle’s Trainspotting – once again features music that will always be better live, in the... Read more... |
Autumn, Park Theatre review - on stage as in politics, Brexit drama promises much, but loses its wayMonday, 21 October 2024Theatre is a strange dish. A recipe can be stacked with delicious ingredients, cooked to exacting standards, taste-test beautifully at the halfway mark, yet leave you not quite full, not exactly satisfied, disappointed that it didn’t come out quite... Read more... |
Land of the Free, Southwark Playhouse review - John Wilkes Booth portrayed in play that resonates across 160 yearsFriday, 18 October 2024Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed, teaching us an old lesson that wants continual learning – the more things change, the more they stay the same.We open on the Booth family kids... Read more... |
Knife on the Table, Cockpit Theatre review - gangsters grim, not glamorousThursday, 17 October 2024There’s a moment in writer/co-director, Jonathan Brown’s, gritty new play, Knife on the Table, that justifies its run almost on its own. Flint, a decent kid going astray, is "invited" to prove he’s ready for the next step in his drug-dealing career... Read more... |
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