London
Paul Simon, BST Hyde Park review - still sprightly after 76 yearsMonday, 16 July 2018
"Homeward Bound – the Farewell Tour", they were calling it. But with a show this strong, nobody would complain if that farewell were to turn out at some point not to be absolutely final.Paul Simon is 76, and there is absolutely no doubt that as he... Read more... |
DVD/Blu-ray: Woodfall - A Revolution in British CinemaWednesday, 11 July 2018
Woodfall was the independent film production company responsible more than any other for launching and realising the British New Wave of the early 1960s. The outfit was formed in 1958 by theatre and film director Tony Richardson, playwright... Read more... |
The London Mastaba, Serpentine Galleries review - good news for ducks?Thursday, 21 June 2018
It’s not as immersive as New York’s The Gates, 2005, nor as magnificent as Floating Piers, 2016, in Italy’s Lake Iseo – it has also, according to Hyde Park regular Kay, “scared away the ducks,” – but superstar artist Christo’s... Read more... |
Julie, National Theatre review - vacuous and unilluminatingSaturday, 09 June 2018
It seems appropriate that an onstage blender features amidst Tom Scutt's sleek, streamlined set for Julie given how many times Strindberg's 1888 play has been put through the artistic magimix. Rarely, however, have the results been less illuminating... Read more... |
Sancho: An Act of Remembrance, Wilton's Music Hall review - pure entertainmentFriday, 08 June 2018
One space, one person, one story, one voice – the monologue is theatre distilled, the purest form of entertainment. On a stage of packing boxes and boards, over the course of just over an hour, Paterson Joseph relays and plays the life of... Read more... |
Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mindTuesday, 05 June 2018
Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship... Read more... |
Joan Baez, Royal Albert Hall review - diamonds, but no rustWednesday, 30 May 2018
2018 has become a year of farewells as a mighty handful of musicians who have, in their different ways, defined popular music bow out. Among them is Joan Baez, a star on the Harvard Square coffeehouse scene when she made her unannounced debut at the... Read more... |
All Points East, Victoria Park review - Björk blooms at new Hackney festivalTuesday, 29 May 2018
For the past decade, Victoria Park in east London has been host to the Field Day and Lovebox festivals, both homegrown and both still growing in size and influence. Last year’s headliners included rare appearances from Aphex Twin (Field Day) and... Read more... |
The Rolling Stones, London Stadium review - only rock'n'roll?Wednesday, 23 May 2018
As the veteran combo roll around one more time, five years after they last performed in the UK, many a ticket-buyer for their No Filter tour has taken the view that, as the Stones once sang, this could be the last time. They didn’t play that one,... Read more... |
Mary Chapin Carpenter, Barbican, review - a three-decade retrospectiveWednesday, 16 May 2018
Mary Chapin Carpenter lives these days in the Blue Ridge Mountains of Virginia, where she sits at the kitchen table in her farmhouse and writes songs. “I have a couple of cats and dogs and I’m the hermit who lives down the road,” she explained to a... Read more... |
Patrick Melrose, Sky Atlantic review - an olympiad of substance abuseMonday, 14 May 2018
Edward St Aubyn’s Patrick Melrose novels have been admired for their prose style, scathing wit and pitiless depiction of a rotting aristocracy. Benedict Cumberbatch claims that Hamlet and Melrose were the two roles he was desperate to play, and now... Read more... |
Anna Meredith, Southbank Sinfonia, QEH review - triumphant genre-busting treatMonday, 30 April 2018
I’m not sure what exactly this event was – orchestral concert, electronic dance music gig or multimedia extravaganza – but however you define it, I loved every mad minute. Anna Meredith (b 1978) is one of the most successful contemporary classical... Read more... |
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