London
Sir Cliff Richard: 60 Years in Public and in Private, ITV review - bachelor boy bounces backTuesday, 11 December 2018
It was when he was on holiday at his agreeable estate in the Algarve in August 2014 that Cliff Richard got a phone call telling him his Berkshire home was being raided by the South Yorkshire Police. It was the beginning of a four-year ordeal in... Read more... |
Disobedience review - tough loveFriday, 30 November 2018
Lesbian love in a closeted Orthodox Jewish North London community suggests a place of barriers and secrets. In adapting Naomi Alderman’s novel Disobedience for producer-star Rachel Weisz, the Chilean-Argentine director Sebastián Lelio might as well... Read more... |
Mrs Wilson, BBC One review - real-life secrets and liesWednesday, 28 November 2018
In which the titular Mrs Wilson is played by her real-life granddaughter Ruth Wilson, in an intriguing tale of subterfuge both personal and professional. The curtain rose over suburban west London in the 1960s, where Alison Wilson was married to... Read more... |
Brent Cowles, Thousand Island review – cornering the market in heartbreak and harmonyFriday, 23 November 2018
It’s a freezing cold, wet night in north London and Denver-based musician Brent Cowles is braving the grimness to play his first ever UK gig, at Highbury’s tiny, mirrorball-stuffed Thousand Island (the latest incarnation of The Garage’s upstairs... Read more... |
EFG London Jazz Festival, first weekend review - Jeff Goldblum a jazz musician?Monday, 19 November 2018
The choice of what to go and hear in the London Jazz Festival can be bewildering: this first weekend of its 10-day run presented over 120 events. I managed to attend eight, of them at least in part, including some of the show that has predictably... Read more... |
Dramatic Exchanges review - a brilliant slice of theatre historySunday, 11 November 2018
Dramatic Exchanges is a dazzling array of correspondence, stretching over more than a century, between National Theatre people. It’s a chronologically arranged anthology that acts as a history of the institution, from its appearance as an idea... Read more... |
White Teeth, Kiln Theatre review - tuneless hymn to Kilburn High RoadWednesday, 07 November 2018
You can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith's classic White Teeth as part of the Kiln's opening season. The bestselling 2000 debut novel is set in Willesden, Kilburn and thereabouts so it's a good... Read more... |
DVD: Anchor & HopeTuesday, 06 November 2018
There’s a lovely feel of folk freedom to Carlos Marques-Marcet’s second film, which sees the Spanish writer-director setting up creative shop resoundingly in London – or rather, on the waters of the city’s canals that provide the backdrop for Anchor... Read more... |
The Rake's Progress, LPO, Jurowski, RFH review - supreme fluency from Eden to BedlamMonday, 05 November 2018
Lightness and gravity in perfect equilibrium have always graced Vladimir Jurowski's Stravinsky. From his first London Rake's Progress at English National Opera, proving that he could do the delicate and translucent after his Royal Opera debut... Read more... |
Caro Emerald, Royal Albert Hall – an injection of sunshine for the weary soulFriday, 02 November 2018
“We will be taking you on a journey,” promises Caro Emerald at the start of tonight’s return to the Royal Albert Hall, which she last played back in April 2017 – and for the next 90 minutes, that’s what jazz-pop queen Emerald and her slick seven-... Read more... |
Slow Moving Clouds, Purcell Room review - a new take on folkFriday, 02 November 2018
The young Dublin folk trio fuse vocal harmonies with superb acoustic musicianship, primarily on cello, fiddle and Nyckelharpa. They bring together Irish and Nordic – specifically Finnish – folk traditions, building them to dizzying heights on a... Read more... |
Dmitri Ensemble, Ross, St John's Smith Square review - impressive minimalism for stringsMonday, 29 October 2018
The latest instalment of the Americana ’18 series at St John’s Smith Square last Friday saw the Dmitri Ensemble and conductor Graham Ross present a survey of American minimalist music for string ensemble. In a brilliantly conceived programme, the... Read more... |
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