dance
Reunion: An Evening with English National Ballet review - back on stage and fabulousTuesday, 18 May 2021
You could hardly call this back to normal at London’s premier dance house. For a start, there was too much red plush visible in the stalls, not all of it the result of COVID-safe spacing. Read more... |
New York City Ballet 2021 Spring Gala online review - Balanchine and Robbins shine in a dark theatreSaturday, 15 May 2021
It’s official. Masks are coming off across America while theatres remain dark. Over here, theatres are about to re-open and masks must be worn. An identical situation gives rise to different responses prompted by local preoccupations. Local preoccupations are at work in ballet too. Read more... |
Best of 2020: DanceThursday, 31 December 2020
Hard as it is to recall how it felt to sit elbow to elbow in a red plush seat, plenty of us did that during the first 10 weeks of 2020, with no heed at all to who might be breathing over us. I have since wondered what proportion of the dance sector had any inkling of the wrecking ball that was about to hit. None, to judge by the many weeks it took for dance companies and theatres to reinvent themselves online, and to start dredging their archives for decently recorded material. Read more... |
The Nutcracker: an end-of-year obituaryTuesday, 29 December 2020
If dance lovers have learnt anything in recent months it's to take nothing for granted. How could we ever have been so blasé about The Nutcracker, whose annual reappearance in multiple productions was as inevitable as crowds on Oxford Street? Read more... |
The Seven Deadly Sins, Opera North online review - viscerally thrillingMonday, 23 November 2020
Theatres are currently banned from moving scenery and props about on stage and you might expect this to present a major obstacle to a production of The Seven Deadly Sins. How else is the opera’s protagonist to be seen to visit seven American cities, succumbing to a different sin in each? Read more... |
The Royal Ballet: Live, Within the Golden Hour review - stunning, joyous danceTuesday, 17 November 2020
Unfazed by yet another forced cancellation, the Royal Ballet has notched up a small triumph over the virus. When what was to have been a performance to a live audience in the Opera House fell prey to new restrictions, it went ahead anyway. Read more... |
Birmingham Royal Ballet, Sadler's Wells review - onward and upwardSaturday, 31 October 2020
It was a night of multiple firsts: the first live performance at Sadler's Wells in seven months (the place hasn’t been dark for so long since the War); the official first day of Carlos Acosta’s tenure as the new director of Birmingham Royal Ballet; and the premiere of his first... Read more... |
The Royal Ballet: Back on Stage review - fireworks in the GardenTuesday, 13 October 2020
"Don’t hold back,” a front-of-house manager told us. “If you want to show your appreciation, go for it.” This was nothing to do with providing sound effects for the imminent streaming to tens of thousands around the world. It was about letting the performers know there was a real, live audience in the House. Read more... |
Michael Clark: Cosmic Dancer, Barbican Art Gallery review - mould-breaker, ground-shakerMonday, 12 October 2020
It must be tough being Michael Clark, subject of one the largest retrospectives ever dedicated to a choreographer still living. Post-punk’s poster boy is that curious thing, a creative figurehead who defined a very particular anti-establishment strand in Britain’s recent history but who is virtually unknown to today’s under-40s. Michael who? Read more... |
theartsdesk in Hamburg: Ghost Light - a ballet in the time of coronaSaturday, 26 September 2020
So the Royal Ballet is to make a live comeback, for one night only, on 9 October. Fielding the entire company of 100 dancers, suitably distanced, the enterprise is being hailed as a triumph of logistics. And so it is. But the fact remains that the vast majority of its audience will be watching on a computer screen at home. Read more... |
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