sun 01/08/2021

Comedy Reviews

Edinburgh Fringe: Margaret Cho/ The Wheel/ Jessica Forteskew

Veronica Lee

Margaret Cho, Assembly ****

 

Margaret Cho is back, and how. Ten years away from the Fringe, the American-Korean bisexual - “I'm just greedy, I guess” - is a little softer around the edges maybe, but still as funny. With her lefty humour, punctuated by lots of adult content, she is waspish, but definitely not Waspish.

Read more...

Edinburgh Fringe: The Monster in the Hall/ Joel Dommett/ Katherine Ryan

Veronica Lee 'The Monster in the Hall': 'The play is performed by four actors, who also form a sort of Greek chorus made flesh as a 1960s girls group, The Fabulous Duckettes'

The Monster in the Hall, Traverse ****

David Greig's indie comedy musical, first performed at Glasgow's Citizens Theatre at the end of last year, is a bright and inventive four-hander about a 16-year-old girl struggling to keep everything together. Duck Macatarsney (Gemma McElhinny), who writes escapist stories in her room, cares for her biker dad, known as Duke, who suffers from multiple sclerosis. At the beginning of the play Duke (Keith Macpherson) is struck blind.

Read more...

Sam Simmons, Soho Theatre

Kate Bassett Sam Simmons: the award-winning Australian gives a deliberately shamateur performance

The award-winning Australian comedian Sam Simmons is shuffling around in a pair of bread loaves. He's wearing them like slippers and trying to take bites out of them at the same time. Indeed, his tremendously silly show, Fail, is essentially a shambles. This is the overarching joke: it's his absurd non-sequiturs and his tongue-in-cheek, shamateur performance style that reduce his audience to spasms of laughter.

Read more...

theartsdesk at the Latitude Festival: Smorgasbord in Suffolk

David Cheal Latitude: Well run, pleasant, helpful, and with the customary array of attractively coloured sheep

Latitude: this four-day event in the attractive environs of Henham Park, near Southwold, is, as its slogan says, “more than just a music festival”. Quite so. But how to review such a groaning cultural smorgasbord? This year, rather than delivering an indigestible wodge of words, I thought I’d take a slightly different approach; thus my account of my four days in Suffolk is divided into thematic sections which correspond only roughly to the festival’s own creative categorisations. So...

Read more...

Jeff Garlin, Soho Theatre

Veronica Lee

It must be the beautiful British weather that has attracted a bunch of American comics to UK shores recently. Just before Las Vegas legend Rita Rudner starts a short season at the Leicester Square Theatre in London and hot on the heels of his Curb Your Enthusiasm sometime colleague Jerry Seinfeld (who recently did one night at the O2 in Greenwich and of whom more later)...

Read more...

The Pajama Men, Soho Theatre

Jasper Rees Wakey, wakey: Shenoah Allen and Mark Chavez are The Pajama Men

The 2009 Edinburgh Fringe featured a likeable comic duo in pajamas with imaginations as elastic as their faces. The titular garment – spelt the American way after their nationality – suggested both excitable role-play after lights out and those internally logical narratives we visit in our sleep. Their enacted tales of ghouls and freaks, nutters and natterers made only a perfunctionary effort to cohere, but audiences collapsed with laughter and the Pajama Men have now twice taken up...

Read more...

The Flying Karamazov Brothers, Vaudeville Theatre

Ismene Brown The Flying Karamazov Brothers: The same routines for 30 years have done them no harm whatever

The Flying Karamazov Brothers give a new meaning to the word “practised”. Their first stage show in 1981 was called Juggling and Cheap Theatrics - a smart title that they could have kept for the show they bring to London’s West End, largely made of routines that this celebrated US comedy-juggling act have been doing for decades. It’s weird to see in YouTubes of their early performances some of the material I watched last night at the Vaudeville. Still, the fact is those old...

Read more...

Derren Brown: Svengali, Shaftesbury Theatre

Veronica Lee Derren Brown: Witty and urbane performer who never humiliates his on-stage subjects

Derren Brown is witty, urbane, clever and a keen student of what makes humans tick - which must come as a huge advantage when you are developing an evening’s entertainment based on kidology. He makes it clear he’s not a psychic or clairvoyant and that there is a rational explanation for everything he does in his two and a half hours on stage, and indeed describes himself as “Illusionist, mentalist and sceptic” - I imagine emphasis is on the sceptic.

Read more...

Jerry Seinfeld, O2 Arena

Veronica Lee

Jerry Seinfeld, acclaimed New York stand-up and star of the eponymous American sitcom co-created with Larry David, last performed in the UK 13 years ago. He’s currently doing a brief European tour and, while keen fans were quick to snap up tickets at the O2 in London, there were noticeably bare areas in the vast arena last night. Lots of British comics have managed to sell out the O2 (some repeatedly), but those unsold seats should come as no surprise; ticket prices started at £75 and went...

Read more...

John Cleese, Touring

Veronica Lee John Cleese: An engaging raconteur who says his success is down to good luck

Even if you are not of an age to have watched Monty Python’s Flying Circus or Fawlty Towers when they were first broadcast by the BBC, you will have heard of John Cleese. And if you are remotely a fan of comedy, you will hold Cleese in high regard as he is a writer, performer and actor of great talent, and this show, an overview of his life and career, proves it beyond argument.

Read more...

Pages

latest in today

Reissue CDs Weekly: Tim Buckley - Merry-Go-Round at the Caro...

Anyone in San Francisco on 15 and 16 June 1968 would have had...

Limbo review - quiet but voluble

Displacement looms large over every quietly impressive frame of Limbo, writer-director...

Album: Katherine Priddy - The Eternal Rocks Beneath

The folk world is slowly coming out of its long pandemic slumber, with Sidmouth’s month-long festival starting in the midst of Storm Evert’s high-...

First Person: conductor Enrique Mazzola on Verdi's time...

It is difficult to know why some operas succeed while others remain...

Bagdad Café, Old Vic review - sweet but scattershot

A gorgeous song exists in search of a show to match over at Bagdad Café, the 1987 film that gave the world the...

theartsdesk at the Three Choirs Festival - Purcell, Gabriel...

King Arthur, as every schoolgirl knows, never actually existed, so it made perfect sense that the Gabrieli Consort’s Worcester Cathedral...

Oleanna, Arts Theatre review - Mamet on power and tragedy

Before seeing this play, I decided to eat a steak. It seemed the right culinary equivalent to David Mamet, one of...