thu 25/04/2024

Comedy Reviews

Sam Simmons, Soho Theatre

Veronica Lee

Sam Simmons' new show – for which he won the Edinburgh Comedy Award last month and the Barry award at Melbourne earlier this year – is titled Spaghetti for Breakfast, but could easily be called “Things That Shit Me”; the phrase pops up repeatedly on a recorded loop, as the Australian comic runs through the large number of things that annoy him.

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Kevin Bridges, Hammersmith Apollo

Veronica Lee

Kevin Bridges, although only 28, has been performing comedy for 10 years. Strange to relate then, that he still gets rattled by hecklers (even friendly ones telling him he's awesome – “Relax, it's not a One Direction concert”) and that this otherwise excellent gig descended into acrimony with Bridges leaving the stage at the end clearly irritated.

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Edinburgh Fringe 2015: Kieran Hodgson/ Richard Gadd/ Trygve Wakenshaw

Veronica Lee

Kieran Hodgson, Voodoo Rooms ★★★★

When Kieran Hodgson was growing up in West Yorkshire in the early years of the century, he was obsessed with two things – cycling and Lance Armstrong, then the greatest cyclist the world had ever seen.

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Edinburgh Fringe 2015: Joseph Morpurgo/ Daphne/ Tom Parry

Veronica Lee

Joseph Morpurgo, Pleasance Courtyard *****

 
In Soothing Sounds For Baby, Joseph Morpurgo uses found objects - vinyl LPs with content so esoteric you would swear he had invented them - and the framework of Radio 4's Desert Island Discs to fashion an ingenious and wonderful show.
 
Morpurgo is supposedly Kirsty Young's guest on the radio show - although in his painstaking cut and paste clips of the programme, Young's questioni

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Edinburgh Fringe 2015: Nish Kumar/ Adam Hess/ Dial Medicine for Murder/ Larry Dean

Veronica Lee

Nish Kumar, Pleasance Courtyard ★★★★

There's been so little out-and-out political comedy at this year's Fringe that it's a real joy to find a stand-up so engaged with politics as Nish Kumar.

Kumar lays out his stall early on. The issue of diversity in the arts is, he says, "a subject very close to my face". He goes on to discuss why men still dominate everything, and the reasons why Jeremy Corbyn is popular. Full marks for being bang up to date.

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Edinburgh Fringe 2015: Diane Chorley/ LetLuce/ Lazy Susan

Veronica Lee

Diane Chorley, Underbelly Potterrow ★★★

Diane Chorley is the former owner of The Flick nightclub in Canvey Island, Essex. Back in the 1980s it was the place to go, and celebrities – from Michael Barrymore to George Michael and Mick Jagger – used to pass through its doors. In fact, it was David Bowie who gave her the title "Duchess of Canvey".

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Edinburgh Fringe 2015: The Kinsey Sicks/ Minor Delays/ Rhys James

Veronica Lee

The Kinsey Sicks, Gilded Balloon ****

 

The Kinsey Sicks, a four-piece drag a cappella act, were formed in 1993 and have played off-Broadway and Las Vegas; this is their UK debut. Their name is a play on Kinsey 6, the point in the scale of sexual attraction as exclusively homosexual, and they bill themselves as “Barbarella meets beautyshop”, or “chicks with shticks”.

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Edinburgh Fringe 2015: Aisling Bea/ Funz and Gamez/ Chris Stokes

Veronica Lee

Aisling Bea, Gilded Balloon ★★★★

Aisling Bea received an Edinburgh Comedy Awards best newcomer nomination for her excellent show in 2013, and she returns with another high-energy hour of clowning about and rapid-fire delivery mixed with some astute political observation. Entitled Plan Bea, it's ostensibly about confidence and shame, although a clear theme never quite emerges.

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Edinburgh Fringe 2015: Tom Allen/ Sarah Callaghan/ BEASTS

Veronica Lee

Tom Allen, The Stand ★★★★

Tom Allen tells us Both Worlds is about being gay, watching daytime TV, doing the gardening and his  "crushing sense of wasting his life". But this is no misery comedy, far from it, as Allen gives us an hour of sparkling wit, much of it aimed at himself, while slinging a few piercing arrows at deserving targets.

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Edinburgh Fringe 2015: Katherine Ryan/ Adrienne Truscott/ Gein's Family Giftshop

Veronica Lee

Katherine Ryan, The Stand ★★★★

"TV's Katherine Ryan," she introduces herself with heavy irony; the Canadian has gone from Fringe performer to never off the telly in just a few years and knows that the sobriquet can be both a compliment and a drawback. Yet when her waspish humour is such good value it's easy to see why producers love her.

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