The Seckerson Tapes: Lenny Bernstein's right-hand man, Craig Urquhart | reviews, news & interviews
The Seckerson Tapes: Lenny Bernstein's right-hand man, Craig Urquhart
The Seckerson Tapes: Lenny Bernstein's right-hand man, Craig Urquhart
Frank talk about living and working at the right hand of a musical superstar
Monday, 25 January 2010
Craig Urquhart was Leonard Bernstein's personal assistant for the last five years of his life. In this touchingly frank interview he talks about the man he knew, the man he revered, the man who wanted to be all things to all people and who consistently pushed himself to the limit in the service of the music that drove him.
Click here to listen to this episode
The Bernstein Project is a 10-month celebration of Leonard Bernstein - one of the most charismatic men of the 20th century. A composer and conductor who wrote poetry and loved science; a pop icon revered by audiences, critics and musicians alike, and a rebel who was embraced by the establishment. As well as concerts and talks, the Project has many events where you can get involved. Directed by conductor Marin Alsop, The Bernstein Project runs throughout Southbank Centre until July 2010.
Share this article
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
First Person: young cellist Zlatomir Fung on operatic fantasies old and new
Fresh takes on Janáček's 'Jenůfa' and Bizet's 'Carmen' are on the menu
Classical CDs: Chinese poetry, rollercoasters and old bookshops
Swiss contemporary music, plus two cello albums and a versatile clarinettist remembered
La Serenissima, Wigmore Hall review - a convivial guide to 18th century Bologna
This showcase for baroque trumpets was riveting throughout
Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review - family fun, fire and finesse
Intimacy and empathy in a varied mixture from the star siblings
Mahler 8, LPO, Gardner, RFH review - lights on high
Perfect pacing allows climaxes to make their mark - and the visuals aren’t bad, either
Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - misalliance and magical marathon
Kentridge’s film for Shostakovich 10 goes its own way, but a master compels in his 13th hour of Satie
Bach St John Passion, Academy of Ancient Music, Cummings, Barbican review - conscience against conformism
In an age of hate-fuelled pile-ons, Bach's gospel tragedy strikes even deeper
MacMillan St John Passion, Boylan, National Symphony Orchestra & Chorus, Hill, NCH Dublin review - flares around a fine Christ
Young Irish baritone pulls focus in blazing performance of a 21st century classic
First Person: St John's College choral conductor Christopher Gray on recording 'Lament & Liberation'
A showcase for contemporary choral works appropriate to this time
Classical CDs: Romance, reforestation and a Rolleiflex
New music for choir, orchestra and string quartet, plus a tribute to a rediscovered photographer
Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard British piano concerto
Welcome chance to hear a Bliss rarity alongside better-known British classics
London Choral Sinfonia, Waldron, Smith Square Hall review - contemporary choral classics alongside an ambitious premiere
An impassioned response to the climate crisis was slightly hamstrung by its text
Comments
...