tue 26/03/2019

Bernstein

Classical CDs Weekly: Mendelssohn, Shostakovich, Bernstein in Paris

 Mendelssohn: Symphonies 1-5, Overtures, A Midsummer Night’s Dream London Symphony Orchestra/Sir John Eliot Gardiner (LSO Live)That Mendelssohn wrote five symphonies is widely known, though I'd wager that 99% of listeners only know 40% of them...

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Candide, LSO, Alsop, Barbican review - nearly the best of all possible...

When the biggest laugh in Bernstein’s Candide goes to a narrator’s mention of how nationalism was sweeping through Europe, you may have a problem. Still, the Bernstein Centenary has been among the best of all possible anniversary celebrations this...

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CD: Barbra Streisand - Walls

If there's anyone on this godforsaken planet who is fully entitled to emote their way through a mash-up of “Imagine” and “What a Wonderful World”, it's Barbra Streisand, right? This, after all, is the woman who was able to deliver “Life on Mars” as...

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Classical CDs Weekly: Bernstein, English Cornett & Sackbut Ensemble, Kubrick's Music

 Bernstein: The Complete Naxos Recordings Marin Alsop (conductor) (Naxos)One of the best reasons for investing in this superb Bernstein box set lasts less than two minutes and isn't even by Lennie. Turn to Disc 7 and John Corigliano’s...

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Anderson & Roe, RLPO, Tali, Philharmonic Hall, Liverpool review - measured fire

There must be something of a beauty parade going on in Liverpool now that Vasily Petrenko has called time on his tenure at Philharmonic Hall.  After all, someone will need to step into his shoes from 2021 after he departs for the Royal...

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Classical CDs Weekly: Bernstein, Rachmaninov, Jeffrey Roden

 Bernstein: Wonderful Town Danielle de Niese, Alysha Umphress, Nathan Gunn, London Symphony Orchestra/Sir Simon Rattle (LSO Live)Wonderful Town’s one problem is that it isn't On the Town or West Side Story. If you didn’t already know those...

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Prom 69, Skride, Boston SO, Nelsons / Proms at...Cadogan Hall 8, Berlin Philharmonic Soloists review - sophisticated limits

Crazy days are here again – many of us are lucky not to have been born when the last collectve insanity blitzed the world – and nothing in Shostakovich seems too outlandish for reality. On the other hand, there's a growing movement to liberate his...

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Proms at...Cadogan Hall 7, Giunta, Sikich, review - dazzlement in Bernstein and beyond

“What drivel! What nonsense! What escapist Techicolor twaddle!” No, not a description of Wallis Giunta’s scintillating BBC Proms at Cadogan Hall recital, it’s a lyric from “What A Movie”, Leonard Bernstein’s outstanding stand-alone number from his...

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Edinburgh Festival 2018 review: Benedetti, Baltimore SO, Alsop - puzzlingly tame

The Edinburgh International Festival scored quite a coup in securing the services of Bernstein protégée Marin Alsop and the Baltimore Symphony Orchestra on the very day of the great composer/conductor’s centenary – and for the festival’s penultimate...

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Prom 57, On the Town, LSO, Wilson review - symphonic dances and sassy vocals

1944 was one hell of a year for Bernstein the composer, with a perfect ballet and a near-perfect musical sharing a general theme of three sailors loose in New York, but nothing else, in their boisterous originality. Perhaps their only equal among...

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Prom 39, West Side Story, Wilson review - best heard on the radio

In West Side Story, those great, familiar songs just keep on coming. Already by the end of the first half an hour, there have been “The Jet Song”, “Something’s Coming”, “Maria”, “Tonight” and “America”, and there is no shortage of them still to come...

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Edinburgh Festival 2018 review: Zimerman, LSO, Rattle - fizzing chemistry

It was Simon Rattle’s first visit to the Edinburgh International Festival for – well, really quite a few years. And the first of his two concerts with the London Symphony Orchestra drew, perhaps predictably, a capacity crowd in the Usher Hall, for...

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