mon 17/06/2019

Southbank Centre

Kozhukhin, RPO, Petrenko, RFH review - more cultured than electrifying

With two German giants roaring - Brahms in leonine mode, Richard Strauss more with tongue in armour-plated cheek - it could have all been too much. Not in the eloquent hands of the Royal Philharmonic Orchestra's Music Director Designate, Vasily...

Read more...

Philharmonia, Salonen, RFH review – bittersweet Berlin

Esa-Pekka Salonen and the Philharmonia kicked off their series of concerts devoted to the edgy culture of the Weimar Republic with a programme that featured three works (out of four) derived in some way from the musical stage. That included, as a...

Read more...

The Mystery of the Bulgarian Voices with Lisa Gerrard, Queen Elizabeth Hall review - voices from another world

A hushed expectation filled the Queen Elizabeth Hall on Friday night in advance of the return on stage of the legendary Le Mystère des Voix Bulgares (now rebranded as The Mystery of the Bulgarian Voices), who graced Kate Bush’s 1989 classic The...

Read more...

Kuusisto, Philharmonia, Rouvali, RFH review - new principal conductor steps up

Last night saw the official unveiling of 33-year-old Finn Santtu-Matias Rouvali as Principal Conductor Designate of the Philharmonia Orchestra, an appointment that has been widely welcomed, not least on theartsdesk. And while I enjoyed Rouvali’s...

Read more...

Bauci e Filemone/Orfeo, Classical Opera, QEH review - a star Orpheus is born

All happy 18th century couples are alike, it seems, and that makes for a certain placidity in Gluck's pastoral Bauci e Filomene for the (unhappy) wedding of Ferdinand, Duke of Parma and Maria Amalia, Archduchess of Austria. All unhappy couples are...

Read more...

First Person: Conductor Maxime Pascal on Stockhausen at the Southbank Centre

Stockhausen stands alongside Monteverdi and Beethoven as a composer who exploded the understanding of his art. Stockhausen deeply changed the relationship between space, time and music; there’s a human, intimate dimension to his composition, and he...

Read more...

Mullova, Philharmonia, Järvi, RFH review – clear paths through the forest

Visit Ainola, Sibelius’s woodland house by Lake Tuusula north of Helsinki, and you’ll be told the story of the green stove. It appears that the famously synaesthetic Finnish composer identified the shade of his heating installation with the key of F...

Read more...

Sergio Mendes, RFH review - tight discipline, exceptional musicianship

The last time Sergio Mendes, the Brazilian bossa nova legend, played at the Royal Festival Hall was in 1980 when he opened for Frank Sinatra. He shakes his head in wonder at the memory, though it’s not so long ago in the scheme of things – his...

Read more...

Bronfman, LPO, Jurowski, RFH review - weight and wit

Vladimir Jurowski is always a conductor for making connections, so one wonders why Brahms's Second Piano Concerto wasn't the first-half choice in this programme from the start (the advertised original had been the much stormier No 1). The sleight-of...

Read more...

Javier Perianes, QEH review - not a Spanish fire-eater but a world-class poet

Expect no cliches about toreador pianism. Red-earth flamboyance is not Javier Perianes' style, and the seven dances he offered in his programme - eight including an encore - by fellow Spaniard Manuel de Falla were not the most consistently engaging...

Read more...

Philharmonia, Blomstedt, RFH review - gravity and grace

Great conductors, like efficient auto engines, apply a lot of torque – they can use a little energy to achieve great surges of movement. Now aged 91, the American-born Swedish maestro Herbert Blomstedt sometimes hardly seems to raise his baton-free...

Read more...

Judith, Royal Festival Hall review - a musical curiosity gets a rare airing

If Gilbert and Sullivan did the Bible it would sound a lot like Hubert Parry’s Judith. Premiered in 1888 and last heard in London a year later, the oratorio – whose principal claim to fame is as the original home of tearjerker hymn tune Repton,...

Read more...
Subscribe to Southbank Centre