book reviews and features
Maylis de Kerangal: Painting Time review - safer in simulation
Tuesday, 11 May 2021
"Trompe-l’œil," explains the director of the Institut de Peinture in Brussels, “is the meeting of a painting and a gaze, conceived for a particular point of view, and defined by the effect it is... Read more... |
The Pursuit of Love, BBC One review - extravagantly entertaining
Monday, 10 May 2021
Nancy Mitford's 1945 literary sensation looks poised to be the TV talking point of the season, assuming the first episode of The Pursuit of Love sustains its utterly infectious... Read more... |
Sunjeev Sahota: China Room review - separate, related lives
Monday, 10 May 2021
China Room, Sunjeev Sahota’s third novel, is a familiar, ancestral tale: the... Read more... |
Extract: Blackface by Ayanna Thompson
Thursday, 06 May 2021
Nearly a year has passed since George Floyd was killed by... Read more... |
Kate Lebo: The Book of Difficult Fruit review - a rich, juicy delight
Tuesday, 27 April 2021
Two years ago, I became preoccupied with beetroot. I didn’t want to eat it, particularly, or learn new ways to cook this crimson-purple veg. Instead I hunted down stories of the “beet-rave”, as it... Read more... |
Michael Spitzer: The Musical Human review - charting our age-old relationship with music
Wednesday, 21 April 2021
Music and time each dwell inside the other. And the more you attend to musical sounds, the more complex their temporal entanglements become.... Read more... |
Jonathan Calvert and George Arbuthnott: Failures of State review - a devastating exposé, slightly mistimed
Wednesday, 14 April 2021
Almost a year ago, in the midst of the first national lockdown, The Sunday Times broke the news that Boris Johnson had failed to attend five consecutive Cobra meetings in the lead up to... Read more... |
Polly Barton: Fifty Sounds review - what is lost in translation
Tuesday, 13 April 2021
Fifty Sounds is translator Polly Barton’s first novel, conceived as part of Fitzcarraldo’s annual... Read more... |
Andrea Bajani: If You Kept a Record of Sins review - where blame, grief and discovery meet
Wednesday, 07 April 2021
“I think it happened to you, too, the first time you arrived.” So begins Andrea Bajani’s second novel (... Read more... |
Will Page: Tarzan Economics - a 'rockonomist' writes
Wednesday, 31 March 2021
The idea behind Tarzan Economics is, in its essence, that “if the vine we are holding onto is withering, we can have confidence to reach out for a new one.” This thesis expounded in Will... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Giulio Cesare, The English Concert, Bicket, Barbican review...
Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...
Zoe Lyons, Touring - midlife, without the crisis
Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...
Hallé, Elder, Bridgewater Hall, Manchester review - premiere...
Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...
DVD/Blu-ray: Slade in Flame
Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up...
Music Reissues Weekly: Roots Rocking Zimbabwe
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...
Supergrass, Barrowland, Glasgow review - nostalgia played wi...
It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...
Louis Cole, Roundhouse review - nothing is everything
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...
Album: Peter Doherty - Felt Better Alive
Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...
Here We Are, National Theatre review - Sondheim's sensa...
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....