book reviews and features
Olivia Sudjic: Asylum Road review - trauma, barely suppressedWednesday, 20 January 2021
In Asylum Road, Olivia Sudjic's third book, everything is purposeful, each loaded gun introduced... Read more... |
Raven Leilani: Luster - portrait of the artist as a black millennial womanTuesday, 19 January 2021
One of the finer episodes in Raven Leilani’s startling debut (which contains an embarrassment of fine episodes)... Read more... |
Mark Fisher: Postcapitalist Desire - The Final Lectures review - imagining the alternativeTuesday, 12 January 2021
Postcapitalist Desire: The Final Lectures is a collection of transcripts, recording weekly group lectures... Read more... |
Julia Bell: Radical Attention review - a clear rendering of our withering attention spansMonday, 11 January 2021
You go out for a walk and leave your devices at home; your head feels a little bit clearer. But when you get back and plonk yourself... Read more... |
George Saunders: A Swim in a Pond in the Rain review – Russian lessons in literature and lifeWednesday, 06 January 2021
Before he published fiction, George Saunders trained as an engineer and wrote technical reports. The Booker-winning author of Lincoln in the Bardo,... Read more... |
Courttia Newland: A River Called Time review - an ethereality checkTuesday, 05 January 2021
It is near impossible to imagine what the world would look like today if slavery and colonialism had... Read more... |
Best of 2020: BooksThursday, 31 December 2020
Stuck in our homes for most of this year, we found comfort and escape from books in ways unprecedented in 2020. The chance to dwell in alternative spaces, or inhabit different rhythms of living.... Read more... |
Book extract: Fat by Hanne BlankWednesday, 23 December 2020
"Ugh, I just feel so fat today," the woman near me in the locker room says to her friend as they get dressed after their workout. I look over – discreetly, as one does – to catch a glimpse of the... Read more... |
Goran Vojnović: The Fig Tree review - falling apart together as Yugoslavia splitsTuesday, 15 December 2020
Seven years ago, at a literary festival in the Croatian port of Pula, I heard Goran Vojnović talk about... Read more... |
theartsdesk Q&A: poet laureate Simon Armitage on landscapes, libraries, home and edgelandsThursday, 10 December 2020
Simon Armitage is a poet at the top of his game: in his second year as poet laureate, he has given voice to the... Read more... |
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Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...
“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...
I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...
The screenwriting debut of actor Andrew Buchan,...
A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...
In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...
“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...
“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...
I’m writing this in the lobby of the...