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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Peaches is primarily known as a purveyor of transgressive, sex positive anthems that have no room for shame whatsoever. This is just as it…
Akinola Davies Jr.’s semi-autobiographical feature debut plunges two young country brothers into Nineties Lagos’s joyous energy and febrile…
Few dancers have the luck to find a permanent place in history through their role in a new creation as Matz Skoog did in 1987. The Swedish…
In prehistoric Britain, life was full of Hs. It was hard. It was horribly hard. It was hardly happy. And, according to Jack Nicholls, whose…
In November 1975, UK music weekly New Musical Express included an article by Charles Shaar Murray titled “Are You Alive To The Jive Of The…
I still retain a vivid memory of a concert in London’s Queen Elizabeth Hall in December 2013 at which Hungarian composer György Kurtág and…
Jonathan Lynn has resurrected the two characters he and the late Antony Jay created in the 1970s, billing his new play the “final chapter…
Phyllida Lloyd’s production of Peter Grimes, first seen 20 years ago, is still one of the jewels in Opera North’s treasury. It was revived…
Sir Charles Mackerras: The Complete Warner Classics Edition (Warner)
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That Sir…
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Remember the Brass Band Battle of a couple years ago? The one that pitted Romania’s Fanfare Ciocarlia vs Serbia’s Boban & Marko…
Would you want to marry a spy? After watching Betrayal, probably not.Writer David Eldridge has used the paradigm of the secret world as a…
Beauty and the Beast? Not quite; the Czech title of Juraj Herz’s 1978 fantasy is Panna a netvor, which translates, much more fittingly, as…
There is ice at the heart of German director’s Dietrich Brueggemann’s Stations of the Cross (Kreuzweg). Winner of this year’s Berlinale…
In 2007, Pina Bausch was preparing her company’s latest “city piece”, this one based on a visit to Kolkotta. But she was also brewing up…
Does “the practice of opera singing in Italy” need help from UNESCO, which has newly inscribed it on the “Representative List of the…
Phyllida Lloyd’s production of Peter Grimes, first seen 20 years ago, is still one of the jewels in Opera North’s treasury. It was revived…
In prehistoric Britain, life was full of Hs. It was hard. It was horribly hard. It was hardly happy. And, according to Jack Nicholls, whose…
"How can we sleep for grief?", asks the brilliant and agitated Thomasina Coverly (the dazzling Isis Hainsworth) during the first act of…
Few dancers have the luck to find a permanent place in history through their role in a new creation as Matz Skoog did in 1987. The Swedish…