fri 22/09/2017

alexandra coghlan

alexandra.coghlan's picture
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

Prom 51 review: Perianes, BBCSO, Oramo - brightly coloured musical postcards

Read more...

King Lear, Shakespeare's Globe - Nancy Meckler's Globe debut is unusually subdued

Read more...

Prom 33 review: Davidsen, Gerhardt, BBC Philharmonic, Storgårds - Nordic music glowing with colour

Read more...

Prom 14 review: BBCSSO, Wilson - illusion after illusion from musical conjurer

Read more...

Much Ado About Nothing, Shakespeare's Globe review - swaggering Shakespeare with a comic Spanish accent

Read more...

Prom 7 review: Weilerstein, BBCSO, Weilerstein - new cello concerto enthrals

Read more...

Queen Anne, Theatre Royal Haymarket review - slow, long and dull

Read more...

Hamlet, Harold Pinter Theatre review - dislocatingly fresh makeover

Read more...

A Midsummer Night's Dream, Snape Maltings

Read more...

Radamisto, Guildhall School, Milton Court

Read more...

Twelfth Night, Shakespeare's Globe review - Emma Rice goes out with a bang

Read more...

Ariodante, The English Concert, Bicket, Barbican

Read more...

Monteverdi Vespers, Vox Luminis, FBC, St John's Smith Square

Read more...

Lise Davidsen, James Baillieu, Wigmore Hall

Read more...

in vain, London Sinfonietta, Lubman, Royal Festival Hall

Read more...

Ormisda, St George's Hanover Square

Read more...

Pages

latest in today

Stravinsky Ballets, LSO, Rattle, Barbican review - the big t...

“Next he’ll be walking on water,” allegedly quipped a distinguished figure at the official opening of...

Basquiat: Boom for Real, Barbican review - the myth explored...

Beautiful, shy, charming and talented, Jean-Michel Basquiat was a shining star who streaked across the...

DVD/Blu-ray: Journey to the Centre of the Earth

Oh dear. I thought that this was going to be one of those exciting...

Akram Khan's Giselle, Sadler's Wells review - the...

Of the many good reasons for seeing Akram Khan’s 2016 remake of Giselle – his work is often a headline event, for one – the most...

Bad Move, ITV review - Jack Dee resettles in the middle of t...

That the countryside is a dump where all good things come to a dead end is hardly a new punchline. There are plenty of novels and memoirs, and...

CD: The Horrors - V

The Horrors have always had a penchant for churning out pop...

Neil Sedaka, Royal Albert Hall review - sparkly veteran defi...

As pretty much everything but a plague of locusts is visited upon this grim old world, an evening in the company of Neil Sedaka is the greatest of...

Senza Sangue/Bluebeard's Castle, Hackney Empire - uneve...

Has Hackney ever seen or heard such a spectacle – a full ...

We're Still Here, National Theatre Wales review - power...

Port Talbot (population 38,000) is a town on the south Wales...