sat 20/01/2018

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

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This was an evening of Iberian highways re-travelled, but with a difference. At the beginning of 2016, the centenary of Spanish master Enrique...

DVD/Blu-ray: I Am Not a Witch

Rungano Nyoni’s debut feature premiered at last year’s Directors' Fortnight in...

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Is modernism dead and buried? Anyone considering the long haul of...

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What did the Romans do for us? On the evidence of...

Weilerstein, Platt, Hallé, Elder, Bridgewater Hall, Manchest...

Alisa Weilerstein is making two visits to Manchester in just over three weeks. Last night it was with the Hallé, next time she’ll be guesting with...

The Final Year review - Greg Barker documents Obama's l...

"The Times They Are A-Changin'" has never sounded so menacing. The Brothers & Sisters’ gospel version accompanies the end credits of The...

CD: The Fiction Aisle - Jupiter, Florida

The third album from Thomas White under his Fiction Aisle moniker is a match for its delicious, under-heard predecessors. White remains best known...

The Post review - Spielberg's glorious paean to print

It beggars belief that, from the moment ...