mon 19/02/2018

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

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Hold the Sunset, BBC One, review - this is an ex-sitcom

You need to be of a certain vintage to have any memory of the traditional suburban family...

Flight, Scottish Opera review - poignant and powerful, this...

Inspired by the astonishing true story of Mehran Karimi Nasseri, the Iranian refugee who lived in Charles de Gaulle Airport for 18 years...

CD: Snowpoet - Thought You Knew

While some albums cram in more fillers than a Christmas stocking, Thought You Knew, the second recording from the London-based group led...

Troy: Fall of a City, BBC One review - soapification of the...

The plan to bring drama back to Saturday nights on BBC One enjoyed mixed success with Hard Sun, but now threatens to slide over a cliff...

Mick Herron: London Rules review - hypnotically fascinating,...

London Rules – explicitly cover your arse – is the fifth in the most remarkable and mesmerising series of...

Reissue CDs Weekly: The Choir

During the British Invasion years, a Cleveland, Ohio band called The Choir ploughed a Brit-focussed furrow from late...

CD: Jonny Nash and Lindsay Todd - Fauna Mapping

A little over two years ago, The Arts Desk reviewed Hipnotik Tradisi, Black Merlin’s extraordinary first offering for Island of the Gods...

Kaufmann, Damrau, Deutsch, Barbican review - bliss, if only...

Schubert’s winter wanderer had Wilhelm Muller to voice his despair, while...

Angry, Southwark Playhouse review – wondrously roaring Ridle...

Monologues are very much the flavour of the start of this theatrical year. At the Royal Court, we have Carey Mulligan in Dennis Kelly’s brilliant...