wed 17/01/2018

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

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Art UK, Art of the Nation review - public art in a private s...

Art fairs are vaguely promiscuous. So much art, so many galleries, so very many curators. They’re a glut for the eye yet curiously anodyne — the...

The Commuter review - trouble on the main line

Nobody is more sensitive about the notion of becoming a geriatric action hero than Liam Neeson (“guys, I’m sixty-fucking-five,” as he points out...

Art, Passion and Power: The Story of the Royal Collection, B...

Henry VIII had a troubled marital history and Charles I lost his head, but both have also gone down in...

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to...

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles...

CD: First Aid Kit - Ruins

With the tragic passing of Cranberries lead singer Dolores O'Riordan, I've been thinking a lot about the importance of the soundtrack to youth....

Downsizing review - little things please little

Alexander Payne’s best-loved film is Sideways but that title may as well work for everything and anything in his oeuvre. In Election...

DVD/Blu-ray: Hounds of Love

Hounds of Love is the latest in a long line of...