Theatre Reviews
4.48 Psychosis, Royal Court review – powerful but déjà vuFriday, 20 June 2025
Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the 25th anniversary of her final play, 4.48 Psychosis, by simply recreating the original production, with the original actors and the original production team in a joint Royal Court and Royal Shakespeare Company venture. Read more... |
Joyceana around Bloomsday, Dublin review - flawless adaptations of great dramatic writingTuesday, 17 June 2025
It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with Nora Barnacle and, putting her hand inside his trousers, she “made me a man”. So it’s National Handjob Day. But Bloomsday too, celebrating the jaunts of Stephen Dedalus and Leopold Bloom over 24 hours around Dublin, the song of a great city in Ulysses. Read more... |
Stereophonic, Duke of York's Theatre review - rich slice of creative life delivered by a 1970s rock bandTuesday, 17 June 2025
The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic, newly arrived at the Duke of York’s, deserves the accolade wherever it plays. Read more... |
North by Northwest, Alexandra Palace review - Hitchcock adaptation fails to flyMonday, 16 June 2025
Older readers may recall the cobbled together, ramshackle play, a staple of the Golden Age of Light Entertainment that would close out The Morecambe and Wise Show and The Generation Game. Mercifully, we don’t have grandmothers from Slough squinting as they read lines off the back of a teapot in this show, but there are still too many callbacks to those long-forgotten set pieces of Saturday night telly. Read more... |
Hamlet Hail to the Thief, RSC, Stratford review - Radiohead mark the Bard's cardSaturday, 14 June 2025
The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten, a crestfallen now ex-PM and family mooching about, for once trying not to be on camera, it's a tabloid front page cliché. Or the pomp and circumstance on Capitol Hill, cold, crowded and celebratory, a rebuke to the slab-faced gerontocracy, back yet again to survey Moscow’s Red Square parade. Read more... |
The King of Pangea, King's Head Theatre review - grief and hope, but no connectionFriday, 13 June 2025
There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new musical”. Read more... |
A Midsummer Night's Dream, Bridge Theatre review - Nick Hytner's hit gender-bender returns refreshedTuesday, 10 June 2025
It’s a sign of the inroads that the term “immersive” has made in theatreland that it now gets jokily namedropped at the Bridge inside Shakespeare’s actual text, when Duke Theseus tells his new bride Hippolyta not to flinch when the Rude Mechanical playing Moon shines a bright light in her eyes: “It’s immersive.” Read more... |
Miss Myrtle’s Garden, Bush Theatre review - flowering talent, but needs weedingSunday, 08 June 2025
The Bush Theatre is becoming a garden centre. Earlier this year, the venue staged Coral Wylie’s Lavender, Hyacinth, Violet, Yew, which featured an abundance of plant life, and now it’s the turn of talented novelist and screenwriter Danny James King, whose Miss Myrtle’s Garden has Wylie aptly listed as its botanical consultant. Read more... |
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings trueWednesday, 04 June 2025
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings might rob a show of the glitter and allure it once had. Read more... |
In Praise of Love, Orange Tree Theatre review - subdued production of Rattigan's study of loving concealmentWednesday, 04 June 2025
Terence Rattigan's rehabilitation – some might almost say deification – as a leading 20th century playwright is complete. As well as academic studies, biographies and numerous highly respected revivals of his work, there is a growing clamour to accord him the ultimate, deserved, honour: a theatre bearing his name. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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