new writing
Gloria, Hampstead Theatre review – pretty gloriousFriday, 23 June 2017
As with life, so it is in art: in the same way that one can't predict the curve balls that get thrown our way, the American playwright Branden Jacobs-Jenkins defies categorisation. On the basis of barely a handful of plays, two of which happen now... Read more... |
Terror, Lyric Hammersmith review – more gimmick than dramaFriday, 23 June 2017
Can the theatre be a courtroom? A good public place to debate morality and to arrive at profound decisions? You could answer this with a history lesson that ranges from the ancient Greeks to more recent tribunal plays in the 1960s and 1990s. But I’... Read more... |
Hir, Bush Theatre review – transgender home is sub-primeWednesday, 21 June 2017
Donald Trump’s electoral success was, we have been told, fuelled by the anger of the American working class. But how do you show that kind of anger on stage, and how do you criticise its basis in traditional masculinity? One way, and this is the... Read more... |
Guards at the Taj, Bush Theatre review - ‘powerful but ethically troubling’Thursday, 13 April 2017
The Bush is back! After a whole year of darkness, the West London new writing venue has reopened its doors following a £4.3million remodelling and refurb, a project close to the heart of its artistic director Madani Younis. Designed by architect... Read more... |
A Dark Night in Dalston, Park TheatreTuesday, 14 March 2017
Michelle Collins, actor and TV presenter, is so strongly associated with her roles in EastEnders and Coronation Street that it is something of a shock to see her live on stage at the Park Theatre, and not behind a bar or in a snug. And although she... Read more... |
The Sewing Group, Royal Court TheatreThursday, 17 November 2016
The beauty of the past is that it’s a foreign country, and you don’t need a visa to visit it. With the free movement of the imagination you can conjure up life as it might have once been experienced. You can even join a re-enactment society. In the... Read more... |
The House of Mirrors & Hearts, ArcolaThursday, 09 July 2015
Musicals are cheesy by nature, aren’t they? If not cheesy, then picturesque. The cast of Les Mis may be grimy and poor, but they’re picture-postcard poor. Even modern musicals play by the rules.But Aemonn O’Dwyer and Rob Gilbert break most of them... Read more... |
Buckets, Orange Tree TheatreFriday, 05 June 2015
“The only way is up” might have been the motto for the Orange Tree over the past year. Last spring, the future couldn’t have looked bleaker for the Richmond producing house when it lost its entire Arts Council grant overnight. Yet here we are, seven... Read more... |
I Wish to Die Singing, Finborough TheatreThursday, 30 April 2015
Agitprop is a term that seems to have dropped out of use. It has too many negative connotations; it smacks of political rant. Yet artistic director Neil McPherson, whose small and feisty Finborough Theatre at Earls Court receives no public funding... Read more... |
Lampedusa, Soho TheatreThursday, 16 April 2015
You might think you know what you’re in for with a play by Anders Lustgarten, winner of the inaugural Harold Pinter Playwright’s Award and current go-to political activist for the Royal Court and the National. Listed alongside the plays on his CV is... Read more... |
Charlie's Dark Angel, Drayton Arms TheatreSunday, 08 March 2015
The critic James Christopher describes his first stage play as a black comedy, and the opening few moments set out the noir element efficiently enough, if not with any discernable humour. Charlie (Ben Porter) has inherited an old Suffolk farmhouse... Read more... |
theartsdesk Q&A: Playwright Nina RaineSaturday, 06 December 2014
When writers research, it’s not all about digging for facts. Feelings also count. When Nina Raine spent three months visiting hospitals for a play about the medical profession, she found a strange feeling spontaneously erupting inside herself. “The... Read more... |
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