sat 29/04/2017

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

City of Glass, Lyric Hammersmith review - ‘thrilling and enthralling Paul Auster adaptation’

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Nuclear War, Royal Court review - ‘deeply felt and haunting’

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Guards at the Taj, Bush Theatre review - ‘powerful but ethically troubling’

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Expensive Shit, Soho Theatre, review - 'strong but slender'

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Consent, National Theatre, review - 'thrilling revenge drama'

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Don Juan in Soho, Wyndhams Theatre review - 'David Tennant is Marber-Molière playboy'

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The Kid Stays in the Picture, Royal Court, review – ‘sad, bad and sprawling’

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A Dark Night in Dalston, Park Theatre

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My Country; A Work in Progress, National Theatre

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Limehouse, Donmar Warehouse

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A Profoundly Affectionate, Passionate Devotion to Someone (–noun), Royal Court Theatr

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Ugly Lies the Bone, National Theatre

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Low Level Panic, Orange Tree Theatre

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See Me Now, Young Vic

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A Clockwork Orange, Park Theatre

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The Pitchfork Disney, Shoreditch Town Hall

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theartsdesk in Tallinn: From Dusk to Black at Estonian Music...

Many top Estonian musicians, performing among other works 30 premieres of music by their compatriots in just over a week, could just as well have...

CD: Blondie - Pollinator

Instead of resting on the laurels of the great music they made some 40 years ago, Blondie - still led by original members Debbie Harry and Chris...

Brian Johnson's A Life on the Road review – ripping yar...

The simplest ideas are often the best. Here’s one – take AC/DC’s Tyneside-born vocalist Brian Johnson and get him to chew the fat with a list of...

Romeo and Juliet, Shakespeare's Globe review - 'to...

“Everything in extremity”. That announcement that the Capulet party is about to begin could just as well serve to describe Daniel Kramer’s...

in vain, London Sinfonietta, Lubman, Royal Festival Hall

If Georg Friedrich Haas’s in vain was a work of political protest when it premiered in 2000, in 2017 it’s a piece that reads more like a...

Guardians of the Galaxy Vol 2 review - complacent, tedious,...

The original Guardians of the Galaxy from 2014 had a freshness to its humour and introduced audiences to a set of novel characters;...

The Good Fight review - 'flawless writing and acting...

If Robert King and Michelle King, creators of The Good Wife, took the Joss Whedon line on...

The Promise review - genocide reduced to melodrama

The Armenian genocide by the Ottomans during and after...

CD: Mary J Blige - Strength of a Woman

Mary J Blige has a voice that was built to age gracefully. Gutsy, churchy, sometimes rough, it was miles away from the over-...