sat 01/08/2015

Aleks Sierz

aleks.sierz

Aleks Sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles by Aleks Sierz

Three Days in the Country, National Theatre

The trouble with the classics is that they are long, complex and difficult. But today’s sensibility favours the quick, simple and easy. So it is no surprise that the National Theatre have opened its...

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The Invisible, Bush Theatre

In the age of austerity, it’s getting harder and harder to avoid cliché. Especially well-meaning cliché. For example, all cuts to welfare are bad; we must defend government support of the needy at...

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A Number, Young Vic Theatre

The reason that Caryl Churchill is Britain’s best living playwright is that her work is endlessly enquiring and peerlessly intelligent. When she wrote this play about the subject of human cloning –...

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Hang, Royal Court Theatre

One of the most talented playwrights to emerge in the 2000s, debbie tucker green is a law unto herself. The best word to describe her is uncompromising. When I interviewed her in 2003 she refused...

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Violence and Son, Royal Court Theatre

Titles can be warnings as well as come-ons. In Gary Owen’s new play about a teenager growing up in the Welsh Valleys, it’s not difficult to guess what the main theme of the play is. Stumbling out of...

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Now This Is Not the End, Arcola Theatre

Few cities have been so central to the European imagination as Berlin in the 20th century. At the centre of imperial power, then of Weimar, next the hub of Nazi Germany, then for some 50 years a...

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Temple, Donmar Warehouse

St Paul’s Cathedral is an icon of national identity. The building that rose up from the fire and smoke of the Blitz has also witnessed the funeral of Winston Churchill in 1965 and the royal wedding...

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The Angry Brigade, Bush Theatre

Today, terrorism means killing as many innocent people as possible. Fear is created by completely random attacks, so that no one feels safe. But there was a time, in the past, when political...

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The Vote, Donmar Warehouse

Thank fuck, it’s over. I mean the General Election. No more campaigning, no more leader debates, no more anti-Miliband hysteria. But there’s still no end to theatre gimmicks that exploit public...

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Beyond Caring, National Theatre

Recent plays with the verb “to care” in their titles – another is Michael Wynne’s Who Cares – suggests that the inequalities of life in Britain today can no longer be treated with our...

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Blood, Soho Theatre

Tamasha is a new writing theatre company which specialises in plays — often adaptations or reimaginings of classics — written from an Asian perspective. As the company celebrates its 25th anniversary...

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Light Shining in Buckinghamshire, National Theatre

The trouble with the general election is that while everybody talks about money, nobody talks about ideas. We know the price of everything, but the value of nothing. This might seem to be a...

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Who Cares, Royal Court Theatre

The NHS is us. Early in this new verbatim play about the National Health Service, one of the characters says that when a sample of Britons was recently asked what the most important institution in...

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Carmen Disruption, Almeida Theatre

Playwright Simon Stephens has made a long journey. Starting off as a young in-yer-face writer, then pausing to mellow over slices of life, then winning awards with state-of-the-nation family dramas...

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The Twits, Royal Court Theatre

The Royal Court has had a makeover. Recently, the walls have had a fresh coat of paint and huge messages have appeared on them: the front doors now say, “Come In”. (Oh, thanks for telling me...)...

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After Electra, Tricycle Theatre

Some dramas begin with a brilliant idea. April De Angelis’s new black comedy, After Electra, is one of these. It starts with an audacious premise: the octogenarian artist Virgie is celebrating her...

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How to contact Aleks Sierz

personal website
http://www.sierz.co.uk

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