sat 28/02/2015

Aleks Sierz

aleks.sierz

Aleks Sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles by Aleks Sierz

Multitudes, Tricycle Theatre

Plays about Muslims in British theatre tend to open a door on a segregated community, a place cut off from the mainstream. But stories that show cultural conflict – between whites, Asians,...

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Closer, Donmar Warehouse

Political sleaze, arguments over Europe and fears for the NHS – sometimes it feels as if it’s the 1990s all over again. And, right on cue, theatre has been staging a whole shelfload of revivals...

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How To Hold Your Breath, Royal Court Theatre

Is there such a thing as New Writing Pure? By this I mean plays that not only have a really contemporary sense of character, plot and dialogue, but are also written in a distinctly individual...

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The Singing Stones, Arcola Theatre

Kay Adshead’s new play about the Arab Spring has a beguiling premise: to tell the human stories behind the headlines. We all remember the news footage of the Arab Spring in 2011, from Tunisia to...

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Dara, National Theatre

The history play has roots that go deep into our culture. We love to see stories that are kitted out in fancy dress, and long to savour a past that resonates with our present. In the case of Dara,...

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New Atlantis, The Crystal

The future is a bad place. Most of our predictions about climate change and the world’s resources seem to come from a mindset of mute despair. In New Atlantis – part of the Enlightenment Café...

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Islands, Bush Theatre

Sometimes the deadliest violence is silent. The publicity for Caroline Horton’s new absurdist satire, Islands, points out that Oxfam estimates that some $18.5 trillion is siphoned out of the world...

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Bull, Young Vic

Mike Bartlett is the most prolific and talented British playwright to emerge in the past decade. Not only has he created large-scale epics in a variety of styles — from the science-fiction fable...

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Donkey Heart, Trafalgar Studios

Can a country like Russia escape its history? In Moses Raine’s new play — transferring to the West End from the tiny Old Red Lion pub theatre where it was first seen in May 2014 — the answer seems to...

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Visitors, Bush Theatre

The Bush is on a roll. Under artistic director Madani Younis, audiences are up, new plays are flowing in and there are plans to build a permanent studio space. Having just staged Radar, its annual...

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Piranha Heights, Old Red Lion Theatre

Like good wine, some plays improve with age. The first taste is sharp, and tickles the palate; further sips stimulate and impress, but the rich full flavour is only apparent after a few years in the...

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God Bless the Child, Royal Court Theatre

Much of the recent programming of the Royal Court has flaunted a preference for gimmicky gestures rather than the hard work involved in developing new playwrights. So after its staging of book...

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Far Away, Young Vic Theatre

How can you convey the sheer incomprehensibility of ghastly acts? While most playwrights, when confronted by the horrors of genocide, settle for a journalistic approach that is realistic and...

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Wildefire, Hampstead Theatre

This venue’s current programming is devoted to examining the state of Britain’s public services, with a revival of Nina Raine’s Tiger Country, about the NHS, coming next month and, playing now, Roy...

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2071, Royal Court Theatre

When science and the arts combine they form a new genre, which has the unlovely name of “artsci”. But although there have now been several plays about climate change in recent years, can an...

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East Is East, Trafalgar Studios

When it first opened in October 1996, Ayub Khan Din’s East Is East was hyped as the best Asian play since, well, ever. And audiences flocked to see this 1970s migrant story both in Birmingham, where...

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How to contact Aleks Sierz

personal website
http://www.sierz.co.uk

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