sat 30/04/2016

Aleks Sierz

aleks.sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles by Aleks Sierz

Elegy, Donmar Warehouse

Playwright Nick Payne has carved out a distinctive dramatic territory – neuroscience. In his big 2012 hit, Constellations, he explored the effect on memory of living with a brain tumour, while two...

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My Mother Said I Never Should, St James Theatre

Charlotte Keatley’s 1987 feminist classic is one of the most often performed plays by a woman writer. It is typical of its time in that this story of four generations of women in one family not only...

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Another World: Losing Our Children to Islamic State, National Theatre

Why do young British Muslims go to join the so-called Islamic State? Since the entire media has been grappling with this question for ages now, it is a bit puzzling to see our flagship National...

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The Fifth Column, Southwark Playhouse

Ernest Hemingway was one of the most influential writers of the 20th century. But although his 1940 novel, For Whom the Bells Tolls, is familiar as a classic account of the Spanish Civil War, his...

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Right Now, Bush Theatre

Poor Alice. She’s alone all day, with a six-month baby boy, while her husband Ben – a doctor – is out at work. Working all hours. She sleeps at odd times of the day, and at first seems to have just...

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Raz, Trafalgar Studios

Recently, I’ve been meeting some pretty hyper people in the theatre. Fictional people. On stage. Lots of hyper women; lots of hyper agonised women. And men. Hypercative kids; hyped-up teens; hyper-...

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German Skerries, Orange Tree Theatre

Birdwatching is not the most thrilling subject for a drama. In fact, next to watching paint dry, it is probably the poorer option. So there is something wonderfully clever and theatrically brilliant...

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The Solid Life of Sugar Water, National Theatre

Hurray, the two-part epic wizard-fest Harry Potter and the Cursed Child lands in the West End this summer, and its playwright is the ever-versatile Jack Thorne (who also successfully adapted the...

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Cleansed, National Theatre

Although everyone agrees that Sarah Kane was one of the most influential British playwrights of the 1990s, revivals of her work have been few and far between. Now, at last, some 17 years after her...

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A Girl Is a Half-Formed Thing, Young Vic

Eimear McBride’s debut novel, the provocatively titled A Girl Is a Half-Formed Thing, won the first Goldsmiths Prize in 2013, as well as the Baileys Women’s Prize for Fiction a year later. This...

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The Encounter, Barbican

Actor and director Simon McBurney’s one-man show has arrived in London after gathering plaudits in Edinburgh and elsewhere last year – before setting off again on a nationwide and European tour. It’s...

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Nell Gwynn, Apollo Theatre

As a subject for drama, theatre history is always popular in the West End. Between Mr Foote’s Other Leg, which has recently closed at the Theatre Royal Haymarket, and Mrs Henderson Presents, which...

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Battlefield, Young Vic Theatre

Legendary director Peter Brook makes theatre that teaches audiences to be human. Now 90 years old, he brings his latest project to London from Paris, where he has been based at the Bouffes du Nord...

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Escaped Alone, Royal Court Theatre

Caryl Churchill is a phenomenon. Now 77 years old, she remains not only prolific but also immensely inventive, having notched up more than 35 original plays, many of which have been innovative in...

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Pink Mist, Bush Theatre

The war in Afghanistan has not exactly been neglected by contemporary British theatre, and the plight of returned soldiers is a standard trope of new writing. These distant wars function in our...

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Yen, Royal Court Theatre

Feral kids are a media stereotype, but they make good strong subjects for drama. In Anna Jordan’s new play, which was first seen at the Manchester Royal Exchange last year after winning the Bruntwood...

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How to contact Aleks Sierz

personal website
http://www.sierz.co.uk

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