mon 22/12/2014

Aleks Sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles by Aleks Sierz

Visitors, Bush Theatre

The Bush is on a roll. Under artistic director Madani Younis, audiences are up, new plays are flowing in and there are plans to build a permanent studio space. Having just staged Radar, its annual...

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Piranha Heights, Old Red Lion Theatre

Like good wine, some plays improve with age. The first taste is sharp, and tickles the palate; further sips stimulate and impress, but the rich full flavour is only apparent after a few years in the...

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God Bless the Child, Royal Court Theatre

Much of the recent programming of the Royal Court has flaunted a preference for gimmicky gestures rather than the hard work involved in developing new playwrights. So after its staging of book...

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Far Away, Young Vic Theatre

How can you convey the sheer incomprehensibility of ghastly acts? While most playwrights, when confronted by the horrors of genocide, settle for a journalistic approach that is realistic and...

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Wildefire, Hampstead Theatre

This venue’s current programming is devoted to examining the state of Britain’s public services, with a revival of Nina Raine’s Tiger Country, about the NHS, coming next month and, playing now, Roy...

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2071, Royal Court Theatre

When science and the arts combine they form a new genre, which has the unlovely name of “artsci”. But although there have now been several plays about climate change in recent years, can an...

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East Is East, Trafalgar Studios

When it first opened in October 1996, Ayub Khan Din’s East Is East was hyped as the best Asian play since, well, ever. And audiences flocked to see this 1970s migrant story both in Birmingham, where...

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The Distance, Orange Tree Theatre

Are there any real taboos left? I mean, there have been scores of plays about incest, about abuse and about paedophilia. Have all proverbial stones been turned over? According to Deborah Bruce, a...

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Seminar, Hampstead Theatre

Writing is a tedious activity, usually requiring a great deal of time spent alone at a desk with a pen, typewriter or laptop. It gives you bad breath and piles. Since a literal representation of this...

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The Vertical Hour, Park Theatre

In the context of recent events in Iraq and Syria, the spectre of the ill-fated Iraq War of 2003 looms large once more. What better time for a revival of master-playwright David Hare’s story about...

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Teh Internet Is Serious Business, Royal Court Theatre

Currently, the Royal Court is exploring the theme of revolution and resistance. In its studio space it is staging The Wolf from the Door, Rory Mullarkey’s excellent absurdist fantasy of a very...

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Albion, Bush Theatre

Opening on the day after the Scottish Referendum, Chris Thompson’s new play has a timely, even incendiary, title. It also recalls the sad little song ‘Albion’ by Pete Doherty and Babyshambles. This...

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Doctor Scroggy’s War, Shakespeare’s Globe

The number of plays commemorating the outbreak of the First World War continues to grow, with some already falling casualty to critical fire or to rapidly waning audience interest. Taking the field...

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Ghost from a Perfect Place, Arcola Theatre

Few contemporary playwrights have enjoyed as many revivals as polymath Philip Ridley. The first two of his 1990s gothic East End trilogy — The Pitchfork Disney and The Fastest Clock in the Universe...

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Little Revolution, Almeida Theatre

Dramatic national events such as riots tend to attract verbatim theatre practitioners like smashed shop windows attract looters. In this new play, Alecky Blythe – who specialises in recording...

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The Nether, Royal Court Theatre

There is so much public anxiety about paedophiles on the internet that it’s surprising that so few plays tackle the issue. Now Los Angeles playwright Jennifer Haley brings her new play on the subject...

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