sun 19/04/2015

Heather Neill

Heather Neill

Heather Neill's picture

Articles by Heather Neill

We Made It: Digital Knitters Knyttan

Hand knitting has had a bit of a moment recently. Making your very own jumper was suddenly fashionable, but the knitter still had to follow, stitch by stitch, a pattern invented by someone else. And...

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Play Mas, Orange Tree Theatre

Mustapha Matura's 1974 play is a celebration of liberation, both social and political, and a sly warning about the possible pitfalls of sudden freedom. Mas (or Masquerade) is the Trinidadian version...

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Kill Me Now, Park Theatre

The big news was that dashing Greg Wise was returning to the London stage after an absence of 17 years. Still best remembered as the handsome cad Willoughby in the film of Sense and Sensibility...

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Taken at Midnight, Theatre Royal Haymarket

The mother, so often a sentimental figure in art, can be as tenacious and bold as any animal when protecting her young. Mark Hayhurst's play about Irmgard Litten, mother of Hans, a lawyer who cross-...

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Almost, Maine, Park Theatre

For a Christmas-weary Brit who's already had it up to here with commercial bonhomie and festive schmaltz, there were going to be barriers to overcome. Here is an avowedly sweet American play –...

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The Edge of Our Bodies, Gate Theatre

Sixteen-year-old Bernadette is determined to write short stories. She's a promising writer, describing her own feelings, the strangers and friends who cross her path in telling detail. Occasionally,...

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Ballyturk, National Theatre

In his masterly essay in the programme for Enda Walsh's latest play, Colm Tóibín warns against attempting to pin his work to a particular philosophical position, but simply to read into it a metaphor...

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The Flouers o'Edinburgh, Finborough Theatre

There are 15 characters in Robert McLellan's quirky 1948 comedy, but the star is the language most of them speak. To mark the referendum later this month, the Finborough is mounting a season of...

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Medea, National Theatre

We know how the story ends, but then so did Euripides' first audience in Athens in 431 BC. Medea was already a familiar character of myth, a sorceress whose ungovernable passion for Jason led her to...

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Daytona, Theatre Royal Haymarket

When Daytona was premiered at the Park Theatre last year some of the critics went into contortions to avoid giving away the two "reveals" in Oliver Cotton's plot. The challenge remains, but can there...

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Hobson's Choice, Open Air Theatre, Regent's Park

Director Nadia Fall has taken that patriarchal purveyor of footwear Henry Horatio Hobson and his family out of their natural habitat - a traditional proscenium arch theatre - and into a different...

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Johnny Got His Gun, Southwark Playhouse

"Johnny get your gun" was a popular American recruiting call in the late Nineteenth and early Twentieth centuries and, according to the Irish-American song "When Johnny comes marching home, Hurrah,...

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Yellow Face, National Theatre

Yellow Face comes into the Shed a year after it was first greeted enthusiastically at the newly-opened Park Theatre. Its category was generally agreed to be "mockumentary". Fair enough as the author...

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Eldorado, Arcola Theatre

There is something forensic about Marius von Mayenburg's examination of human nature in this 2004 play, written when he was in his early 30s and the Iraq war still on the television news. Eldorado, a...

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We Are Proud To Present..., Bush Theatre

The full title of Jackie Sibblies Drury's play, first produced in Chicago in 2012,  is deliberately gauche and in need of editing. No review is complete without it, however, so here it is: We...

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Stroke of Luck, Park Theatre

In 2011 Tim Pigott-Smith gave us an impressive, humane King Lear at the West Yorkshire Playhouse. Here he is again, a patriarch learning how "sharper than a serpent's tooth" it is to have thankless...

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