Classical Reviews
Hardenberger, Philharmonia, Nelsons, RFHMonday, 07 December 2015
Bernd Alois Zimmermann’s Nobody knows de trouble I see is a popular concerto, but it’s an unlikely hit. Zimmermann maintains a distanced relationship with the spiritual on which the work is based, and, while there are jazz elements too, this is a long way from crossover. Read more...
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Orchestra of Opera North, Farnes, Leeds Town HallSunday, 06 December 2015
The few ensemble lapses and moments of insecurity during the first half of this concert had nothing to do with Richard Farnes’s conducting, or with the playing of an augmented Orchestra of Opera North. It’s in rude health; Farnes has refined and deepened the orchestra’s string sound, and the winds and brass are world-class. Read more... |
Davies, Clayton, Baillieu, Wigmore HallSaturday, 05 December 2015
Last night’s Wigmore Hall recital by countertenor Iestyn Davies and tenor Allan Clayton, accompanied by James Baillieu, was an all-round triumph: brilliantly programmed, superbly sung and very thought-provoking. Mixing solo items with duos, the programme encompassed Purcell, Britten, Adès, Barber and the young American composer Nico Muhly. If it had been a competition – which it wasn’t – Britten would have been the champion. Read more... |
RLPO, Petrenko, Philharmonic Hall, LiverpoolFriday, 04 December 2015
Why play a very substantial act of ballet music in concert? In the case of Aurora’s wedding entertainment from Tchaikovsky’s The Sleeping Beauty, there are at least three good reasons. It embraces the most inventive and unorthodox of divertissements in any ballet – the one in The Nutcracker comes a close second – and a symphony orchestra deserves the chance to perform at least a substantial chunk of what Stravinsky called Tchaikovsky’s chef d’oeuvre. Read more... |
Sudbin, CBSO, Seal, Symphony Hall BirminghamThursday, 03 December 2015
You can read a lot into the first two chords of Beethoven’s "Eroica" Symphony. Classical portico or violent detonation? Majestic assertion of E flat major, or the first shocking glimpse of a drama that’s already under way? Michael Seal, conducting the City of Birmingham Symphony Orchestra, accelerated through those first two bars before sweeping into a sleek, swinging first subject. He could afford to let his players sing. Read more... |
Stile Antico, Wigmore HallSunday, 29 November 2015
There are 12 of them, standing in a semi-circle. No conductor in sight. Instead they start singing by striking some invisible match. Immediately the hall is blazing with heat, light, and the ecstatic sounds of Tudor polyphony. Read more... |
MacMillan's Since it was the day of preparation..., EdinburghSaturday, 28 November 2015
James MacMillan’s sacred drama Since it was the day of preparation… got its first outing at the Edinburgh International Festival back in 2012. But it was an entirely different experience hearing it in a cavernous Edinburgh cathedral on a chilly November evening – in a welcome re-performance from co-commissioners the Hebrides Ensemble plus Synergy Vocals – to catching it amid the city’s August festival mayhem. Read more... |
Piano Circus, Juice Vocal Ensemble, Kings PlaceFriday, 27 November 2015
It is not surprising that Piano Circus rarely play on six real pianos (although the photo on last night’s programme cover shows just that). The expense, the stage space required and the logistical complexity all militate against it. Read more... |
Leonskaja 70th Birthday Concert, Wigmore HallMonday, 23 November 2015
It was a massive but never overbearing three-parter, a three-and-a-half hour celebration, a mini-festival of youth and experience. Wouldn’t we all want to mark a major birthday in the company of friends of all ages? Read more... |
Escaich, RSNO, Märkl, Usher Hall, EdinburghSunday, 22 November 2015
It does not seem like 12 years since the organ in the Usher Hall was restored to full working order. That may be because, in the minds of many Edinburghers, the recent years of untroubled service are still eclipsed by the many decades in which Norman and Beard’s monumental instrument sat silent, reproaching the City Fathers for their parsimony. Read more... |
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