tue 12/12/2017

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor specialising in classical music. He teaches at the University of Kent and is a Curator of Musical Instruments at the Horniman Museum. He is also Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Mark Padmore, Mitsuko Uchida, Wigmore Hall review - direct and uncompromising Schubert

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Christian Tetzlaff, Lars Vogt, Wigmore Hall review - lyrical Brahms from veteran duo

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theartsdesk in Katowice - energy and imagination at the Fitelberg Conducting Competition

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Singcircle, Barbican review - veteran ensemble bids farewell with Stockhausen

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Florian Boesch, Justus Zeyen, Wigmore Hall review - power, intimacy and atmosphere

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LPO, Renes, RFH review - solid Bruckner lacking in nuance

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BBCSO, Storgårds, Barbican review – Jolas intrigues, Mahler 4 disappoints

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Lucia di Lammermoor, Royal Opera review - creepy, violent and intense

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BBCSO, Brabbins, Barbican review - commanding vistas of earth and sea

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Dardanus, English Touring Opera review - mixed fortunes for warzone updating

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Goode, LPO, Jurowski, RFH review - tender Mozart, dynamic Bruckner

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The Tallis Scholars, Phillips, Cadogan Hall review - intimacy in late Renaissance music

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Last Night of the Proms review: Stemme, BBCSO, Oramo - international array, abundant blue and gold

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Prom 74: Ax, Vienna Philharmonic, Tilson Thomas review - elegance without passion

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Prom 6: Benedetti, BBC NOW, Søndergård - dazzling violin magic

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Katya Kabanova, Opera Holland Park review - clarity and pace in Janáček's Volga tragedy

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latest in today

The Prince of Nothingwood review - come for the man, stay fo...

In the most unlikely of places, there is one of the world’s most prolific...

Chineke! Ensemble, RNCM, Manchester review - musical advocac...

The Chineke! Orchestra has won golden opinions for its ground-breaking work and musical achievement, and Manchester caught up to the extent of a...

DVD: A Journey Through French Cinema

Bertrand Tavernier’s trip through French cinema...

Bolshoi's controversial Nureyev ballet opens – to ovati...

Nureyev, the most notorious new production at the ...

Salonen conducts Sibelius, RFH/Oramo conducts Salonen, Barbi...

After Sakari Oramo's dazzling Sibelius rattlebag with the...

Cell Mates, Hampstead Theatre review - intriguing yet opaque

The play that famously got away when one of its stars (quite literally) jumped ship is back. In 1995, Stephen Fry abandoned the...

From Life, Royal Academy review - perplexingly aimless

Dedicated to a foundation stone of western artistic training, this exhibition attempts a celebratory note as the...

Blue Planet II, BBC One review - just how fragile?

The eel is dying. Its body flits through a series of complicated knots which become increasingly grotesque torques. Immersed in a pool of brine —...