mon 28/07/2014

Classical music Interviews

theartsdesk Q&A: Soprano Anne Schwanewilms

David Nice

She is now the world’s leading interpreter of Richard Strauss’s Marschallin in Der Rosenkavalier, the aristocratic thirtysomething once forced into marriage with a far from ideal husband and...

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theartsdesk Q&A: The Hilliard Ensemble

Matthew Wright

The sophisticated and exquisitely crafted sound of The Hilliard Ensemble has, over the past four decades, become one of the most distinctive pleasures on the choral scene. One of the several pioneers...

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theartsdesk Q&A: violinist Vadim Repin

David Nice

When I last saw Vadim Repin in action, he was premiering a work of terrific energy and invention which is here to stay, James MacMillan's Violin Concerto. Tonight in Birmingham and on Monday at the...

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10 Questions for Cellist Oliver Coates

Joe Muggs

Oliver Coates is the very model of a modern musical generalist – able to jump, or ignore, the boundaries between musical categories yet retaining deep understanding of the nuances of each category or...

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Wagner at the Proms remembered

David Nice

This summer, the Royal Albert Hall became the centre of the Wagnerian universe. No one was going to ignore Bayreuth, where Frank Castorf‘s new Ring gave plenty of fuel for column inches; but somehow...

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theartsdesk Q&A: Mezzo-Soprano Joyce DiDonato

Alexandra Coghlan

She’s the Kansas mezzo-soprano whose ruby slippers have now taken her across the globe, singing in all the great opera houses, but who has never lost the common touch. She’s not a diva, she’s a “...

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10 Questions for Conductor Marin Alsop

Alexandra Coghlan

Marin Alsop may be one of America’s leading conductors, with stints as music director of the Colorado, Eugene and Richmond symphony orchestras, not to mention positions at the Bournemouth Symphony...

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Rhapsody! How to programme a Hollywood Prom

David Benedict

Fingers on buzzers: which piece of music at this year’s Proms boasts a percussion section including glockenspiel, xylophone, five pitches of cowbells, car horn, taxi horn, anvils, revolving door...

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10 Questions for Semyon Bychkov

Jasper Rees

By the time silence descends on the Royal Albert Hall at five o’clock in the afternoon for a performance that will end six hours later, Semyon Bychkov will have been rehearsing for 60 hours. It...

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Sir Richard Rodney Bennett: The Last Interview

John Harle

On Christmas Day last year, we lost Richard Rodney Bennett, a composer and performer who bridged the worlds of classical, jazz and film music with a suave nonchalance that came from inner confidence...

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theartsdesk Q&A: Conductor Sir John Eliot Gardiner

Alexandra Coghlan

It’s only fitting that Sir John Eliot Gardiner should be celebrating his 70th birthday with a concert in the Royal Albert Hall. That it should be a nine-hour marathon of a concert is not only fitting...

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Q&A Special: Conductor Sir Simon Rattle

Jasper Rees

Sir Simon Rattle (b. 1955) and the Orchestra of the Age of Enlightenment (est. 1986) have been together from the beginning. Founded by period-instrument musicians eager to run their own affairs...

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10 Questions for Amateur Musician Alan Rusbridger

Jasper Rees

Had we but world enough and time... A new book by the editor of the Guardian makes it clear quite how many hours in the day it takes to run a national newspaper in the digital age. There is the...

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10 Questions for Opera singer Rolando Villazón

Igor Toronyi-Lalic

Few singers provoke more debate than Rolando Villazón. His off-piste projects - from his Romantic exploration of the Baroque to his spell as a talent contest judge - have been much discussed over the...

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Sir Patrick Moore, Xylophonist and Composer

Ismene Brown

The astronomer Sir Patrick Moore was a keen composer of decided musical preferences, and no mean xylophonist. The news of his death on Sunday reminded me of my hugely enjoyable encounter with him -...

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theartsdesk Q&A: Composer Pierre Boulez

Igor Toronyi-Lalic

One of the most exciting things to happen in orchestral music in recent years has been the way the music of Pierre Boulez (b 1925) has begun to escape the confines of the specialist contemporary...

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Interview: Film composer Ilan Eshkeri

Peter Culshaw

At his studio near White City in West London (he did say it was Notting Hill) Ilan Eshkeri’s is adding a scratchy cello to a key moment in Ralph Fiennes film of Shakespeare’s Coriolanus. It’s the...

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theartsdesk Q&A: Conductor Gustavo Dudamel

Jasper Rees

At the Royal Albert Hall one summer evening in 2007, a teeming ensemble of young South Americans served up a BBC Prom that is the most YouTubed classical concert this side of the Three Tenors. Under...

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theartsdesk Q&A: Countertenor Iestyn Davies

Alexandra Coghlan

Recently hailed by The Observer as “today’s most exciting British countertenor”, Iestyn Davies is on a roll. Indeed, many critics would – and have – gone further, seeing this young British singer as...

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theartsdesk Q&A: Conductor Ilan Volkov

Alexandra Coghlan

Relentlessly energetic, opinionated, and never less than passionate about music-making, Ilan Volkov is a close as you get to a prodigy in the world of conducting. Appointed as Young Conductor in...

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