Classical Reviews
Hespèrion XXI, Savall, QEH review - an evening filled with laughter and lightThursday, 12 June 2025
For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised as its leader, Jordi Savall, executed a fiendishly rapid sequence of notes that sent the rosin from his bow rising up like smoke. Read more... |
theartsdesk at the Dublin International Chamber Music Festival - musical revelations, nature beyondTuesday, 10 June 2025
If, like me, chamber music isn’t your most frequent home, there are bound to be revelations of what for many are known masterpieces. Mine in recent years have involved Brahms, a composer I love more the older I get: the Second, A major, Piano Quartet, much less often heard than No. 1, at the 2018 Hatfield House Chamber Music Festival, and, last Friday, his First String Quartet from the Cuarteto Casals, also new to me, in an airy room looking out on Dublin’s Glasnevin Botanic Gardens. Read more... |
Müller-Schott, RSNO, Søndergård, Usher Hall, Edinburgh - spectacular Shostakovich to end the seasonSaturday, 07 June 2025
There was a neat conjunction of commemorations to this concert, the most obvious one being the fact that that 2025 marks the 50th anniversary of the death of Dmitri Shostakovich, so it’s completely appropriate the Royal Scottish National Orchestra chose to end its season with a concert of his music. Read more... |
Marwood, Crabb, Wigmore Hall review - tangos, laments and an ascending larkTuesday, 27 May 2025
James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a spectrum of pieces which brim with wit and inventiveness. This lunchtime concert with violinist Anthony Marwood was a sheer joy, as they together traversed a range of style and tone, richly entertaining a very decent Bank Holiday crowd in the Wigmore Hall. Read more... |
Dennis, RSNO, Dunedin Consort, Søndergård, Usher Hall, Edinburgh review - potted Ring and deep dive into historyMonday, 26 May 2025
"How long is Wagner’s Ring Cycle?" That’s not the opening to a joke, it’s a genuine question asked by a friend who I’d met up with before heading to Edinburgh’s Usher Hall to hear the Royal Scottish National Orchestra perform "Wagner’s Ring Symphony". His question is one I really don’t know how to answer: technically it’s 15 hours, but does a cycle ever really end? Is a piece of string as long as the ties that bind? How long would it take to wrap up the whole world? Read more... |
Batiashvili, LSO, Pappano, Barbican review - French and Polish narcoticsSunday, 25 May 2025
Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern imagination that you can always discover something new, especially given the intense hard work on detail of Antonio Pappano and what is now very much “his” London Symphony Orchestra. They and Lisa Batiashvili also helped to keep Szymanowski’s hothouse First Violin Concerto in focus, too. Read more... |
Owen, Manchester Camerata, Takács-Nagy, Stoller Hall, Manchester review - more Mozart made in ManchesterSaturday, 24 May 2025
Manchester Camerata spent eight years performing and recording a complete edition of Mozart’s piano concertos with Jean-Efflam Bavouzet as soloist, together with conductor Gábor Takács-Nagy, and inevitably there was the question: what next? Read more... |
Josefowicz, LSO, Mälkki, Barbican review - two old favourites and one new oneTuesday, 20 May 2025
Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two established favourites from big names of the 20th century plus a new-to-me piece by a forgotten figure worthy of re-discovery. Read more... |
Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash in complete RavelFriday, 16 May 2025
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows them by heart, has bags of charisma and energy, so why not? I could give more than one reason, but the main problem was that while Bavouzet perfectly embodied Scarbo, the monster-Puck of Gaspard de la nuit, and other nocturnal flitters, he seemed careless with Undine and her watery companions, of which there were many. Read more... |
Karim Said, Leighton House review - adventures from Byrd to SchoenbergWednesday, 14 May 2025
William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very different ways This is all in a typical programme of pianist, conductor, composer and all-round pioneer Karim Said, and last night in the studio of Leighton House, it nearly all worked (when it didn’t, that was the nature of the beast, not the pianist). Read more... |
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