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Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

Brighton Festival: 1967 and All That

Friday, 01 April 2016 Read more...

CD: Lukas Graham - Lukas Graham

Thursday, 31 March 2016 Read more...

theartsdesk on Vinyl: Volume 15 - Saxon, Bernard Herrmann and much more

Thursday, 24 March 2016 Read more...

DVD: Sleaford Mods: Invisible Britain

Saturday, 19 March 2016 Read more...

10 Questions for Artist Marc Rees

Friday, 18 March 2016 Read more...

Kano, Concorde 2, Brighton

Thursday, 17 March 2016 Read more...

Little Mix, Brighton Centre

Tuesday, 15 March 2016 Read more...

theartsdesk Q&A: Musician Youth

Saturday, 12 March 2016 Read more...

CD: Iggy Pop - Post Pop Depression

Saturday, 12 March 2016 Read more...

CD: Blancmange - Commuter 23

Tuesday, 08 March 2016 Read more...

Barry Adamson, Komedia, Brighton

Friday, 04 March 2016 Read more...

CD: The 1975 - I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It

Saturday, 27 February 2016 Read more...

CD: Bombus - Repeat Until Death

Thursday, 25 February 2016 Read more...

theartsdesk on Vinyl: Volume 14 - Ennio Morricone, Erasure, NWA and more

Monday, 22 February 2016 Read more...

Stewart Francis, Pavilion Theatre, Worthing

Monday, 22 February 2016 Read more...

Brighton Festival 2016 Launches with Guest Director Laurie Anderson

Wednesday, 17 February 2016 Read more...

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'We are bowled over!' Thank you for your messages... ...
Entertaining Mr Sloane, Young Vic review - funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw...

Tosca, Royal Opera review - Ailyn Pérez steps in as the most...

Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t). It should be...

iD-Reloaded, Cirque Éloize, Marlowe Theatre, Canterbury revi...

It was the absence of performing animals that defined it in the 1980s, but contemporary...

Bacchae, National Theatre review - cheeky, uneven version of...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be...

Album: Solar Eyes - Live Freaky! Die Freaky!

Solar Eyes are an indie dance two-piece from Birmingham’s Hall Green. With a sound that binds together psychedelic guitars, foot stomping beats...

Slow Horses, Series 5, Apple TV+ review - terror, trauma and...

Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (...

The Harder They Come, Stratford East review - still packs a...

The impact of great art is physical as much as it is psychological. I recall the first time I saw Perry Henzell’s 1972 film,...

Kohout, Spence, Braun, Manchester Camerata, Huth, RNCM, Manc...

The Royal Northern College of Music was in celebratory mood last night for the opening of its new season, in a joint promotion with Manchester...

Album: Night Tapes - portals//polarities

“Helix” is the ninth track on portals//polarities. With this dramatic, acid house-leaning slab of shoegazing-infused...