thu 25/09/2025

Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

Album: Bright Eyes - Down in the Weeds, Where the World Once Was

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New Music Unlocked 5: Biffy Clyro, Rave the Vote, Little Simz and AJ Tracey

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theartsdesk Q&A: Record label New Heavy Sounds

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New Music Unlocked 4: The Streets, heavy metal, punk rock and R.E.M.

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Album: Zapatilla - Zapatilla

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New Music Unlocked 3: Dermot Kennedy, Lollapalooza and Cambridge Folk

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New Music Unlocked 2: Nick Cave, Tomorrowland, The Prodigy, The Clangers and more

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New Music Unlocked 1: Reef, Supersonic Festival, Elton John and more

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theartsdesk on Vinyl 58: Joy Division, Alma, Prince, African Head Charge, Wargirl and much more

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Album: Polly Scattergood - In This Moment

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New Music Lockdown 12: Glastonbury Festival Special

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Album: [MONRHEA] - her[ART]

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New Music Lockdown 11: Make Music Day, Greenpeace Festival, Tiny Changes, Kasabian and more

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Album: Larkin Poe - Self Made Man

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New Music Lockdown 10: Download Festival, Isle of Wight Festival, Gorillaz and a 48 Hour EDM Rave

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New Music Lockdown 9: Chic, Laura Marling, Billy Bragg, Steel Panther, Wendy James and more

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'We are bowled over!' Thank you for your messages... ...
Entertaining Mr Sloane, Young Vic review - funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw...

Tosca, Royal Opera review - Ailyn Pérez steps in as the most...

Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t). It should be...

iD-Reloaded, Cirque Éloize, Marlowe Theatre, Canterbury revi...

It was the absence of performing animals that defined it in the 1980s, but contemporary...

Bacchae, National Theatre review - cheeky, uneven version of...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be...

Album: Solar Eyes - Live Freaky! Die Freaky!

Solar Eyes are an indie dance two-piece from Birmingham’s Hall Green. With a sound that binds together psychedelic guitars, foot stomping beats...

Slow Horses, Series 5, Apple TV+ review - terror, trauma and...

Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (...

The Harder They Come, Stratford East review - still packs a...

The impact of great art is physical as much as it is psychological. I recall the first time I saw Perry Henzell’s 1972 film,...

Kohout, Spence, Braun, Manchester Camerata, Huth, RNCM, Manc...

The Royal Northern College of Music was in celebratory mood last night for the opening of its new season, in a joint promotion with Manchester...

Album: Night Tapes - portals//polarities

“Helix” is the ninth track on portals//polarities. With this dramatic, acid house-leaning slab of shoegazing-infused...