fri 31/10/2025

Simon Thompson

Articles By Simon Thompson

Bostridge, Osborne, Edinburgh International Festival 2024 review - the heights and the abyss

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Bamberg SO, Hrůša / Up Late at the Hub, Edinburgh International Festival 2024 review - death, life and points in between

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Schola Cantorum de Venezuela / Llewellyn, Lepper, Edinburgh International Festival 2024 review - scorching energy and deep tenderness

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Bach/Mendelssohn St Matthew Passion / First Night at the Hub, Edinburgh International Festival 2024 review - a reimagining and a joyous celebration

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Trpčeski, RSNO, Søndergård, Usher Hall, Edinburgh review - flash and sparkle

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Bach Passions, Dunedin Consort, Mulroy/Jeannin, St Mary's Episcopal Cathedral/Queen's Hall, Edinburgh review - twin peaks

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Hughes, SCO, Kuusisto, Queen’s Hall, Edinburgh review - Clyne shines, Grime fragments

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Morison, Big Noise Wester Hailes, RSNO, Søndergård, Usher Hall, Edinburgh - shimmering delicacy and surging swell

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RSNO Chorus, Doughty, Greyfriars Kirk, Edinburgh review - breaking out in anniversary Bruckner

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SCO, Ilias-Kadesha, Queen’s Hall, Edinburgh review - Eastern promise sputters out

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Grosvenor, SCO, Emelyanychev, Usher Hall, Edinburgh review - lightness of touch and a sprinkling of humour

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Isidore Quartet / Mao Fujita, Edinburgh International Festival 2023 - carefree beauty and improvisatory flair

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Nick Pritchard, Ian Tindale, Edinburgh International Festival 2023 review - a partnership in which to lose yourself

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Castalian Quartet, Edinburgh International Festival 2023 review - nothing taken for granted

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Yeol Eum Son / Clara-Jumi Kang, Edinburgh International Festival 2023 review - theatrical virtuosity from stunning soloists

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National Youth Choir of Scotland, RSNO, Bell / Quasthoff, Amatis Trio, Edinburgh International Festival 2023 review - from the heights to the depths

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