Simon Munk
Bio
Award-winning specialist journalist in videogames, technology, cycling and outdoors products. Experienced copywriter. Competent videogame script editor and writer. Half-finished novelist. Mediocre tea maker.
Articles By Simon Munk
latest in today
4.48 Psychosis, Royal Opera, Lyric Hammersmith review - desp...
Depression, with or without psychotic episodes, is a rare subject for drama or music theatre - and with good reason: the sheer unrelenting...
10 Questions for Sharon Smith of Arts Collective Gob Squad
Gob Squad is a “seven-headed” Anglo-German arts collective who specialise in...
Absolute Hell, National Theatre review - high gloss show sav...
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend goes like this: Absolute Hell was...
The Marriage of Figaro, English Touring Opera review - vanil...
The Fates did not want theartsdesk to review English...
CD: Van Morrison and Joey DeFrancesco - You're Driving...
Van Morrison has always been drawn as much to jazz as anything else...
The Prudes, Royal Court review - hilarious but frustrating s...
Playwright Anthony Neilson has always been fascinated...
Strictly Ballroom: The Musical, Piccadilly Theatre review -...
A much tinkered-with show needs to go back to the drawing board, if this latest iteration of Strictly Ballroom: The Musical is any gauge...
The Split, BBC One, review - Abi Morgan’s densely packed div...
A few years ago Abi Morgan was everywhere. For the cinema she scripted Shame, The Iron Lady, The Invisible Woman and...
Matthias Goerne, Seong-Jin Cho, Wigmore Hall review - slow a...
Matthias Goerne has an exceptional ability to sustain evenness and legato through a vocal line. His breath control and his tone production are...
Kathleen Turner: Finding My Voice, The Other Palace review -...
A one-time Martha and Maggie the Cat in the theatre, and a...