mon 29/04/2024

Nick Hasted

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Bio
Nick Hasted has been a film journalist since 1986. As well as The Arts Desk, he currently writes about film, music, books and comics for The Independent, Uncut, Jazzwise and Classic Rock. He has published three books: The Dark Story of Eminem (2002), You Really Got Me: The Story of The Kinks (2011), and Jack White: How He Built An Empire From The Blues (2016).

Articles By Nick Hasted

Haley Fohr: Salomé, Brighton Festival 2019 review – potently camp debauch

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Rokia Traoré: Dream Mandé: Djata, Brighton Festival 2019 review – resonant griot wisdom

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Rokia Traoré: Dream Mandé: Bamanan Djourou, Brighton Festival 2019 review – traditions soar free

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Chamber Music, Brighton Festival 2019 review - Wu-Tang Clan depths divined

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The Hustle review - rotten scoundrels

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Pokémon Detective Pikachu review - a cute commercial

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10 Questions for Director Benedikt Erlingsson

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Long Shot review - semi-hilarious odd couple romcom

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Styx review - high seas, high stakes refugee nightmare

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Dragged Across Concrete review - Mel Gibson's hard-boiled high

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Hellboy review - vivid monster mash

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Shazam! review - refreshing super-goofiness

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Being Frank: The Chris Sievey Story review - inside Sidebottom's head

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Under the Silver Lake review - fascinating LA noir folly

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The Hole in the Ground review - parental horror stays on the surface

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The Kid Who Would Be King review - a timeless charmer

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Pages

latest in today

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...

Testmatch, Orange Tree Theatre review - Raj rage, old and ne...

Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...

Album: Justice - Hyperdrama

Justice are a couple of super-suave rock star analogues....