tue 21/01/2020

joe muggs

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Bio
Joe writes regularly for FACT, The Wire and Mixmag, specialising in electronic music and the anything-but-grey areas where genres and media dissolve into one another.

Articles By Joe Muggs

latest in today

English National Ballet 70th Anniversary Gala, Coliseum revi...

Just when you thought Christmas was well and truly over, along comes another box of delights. And there isn’t a disappointment in it. If it were...

Bach Sunday with the Suzukis, RAM / Appl, AAM, Milton Court...

Not long after noon on Sunday, strange bells began ringing. In just 11 bars,...

The Outsider, Sky Atlantic review - double trouble in small-...

Stephen King’s novels have generated an impressive lineage of successful...

Blomfield, Philharmonia, Salonen, Barbican review - sounds o...

Concert programmes that set out to tell us a story can prove a mixed blessing. Yes, it’s valuable and stimulating to find ideas, and narratives,...

Blu-ray: Night Tide

Dennis Hopper’s first starring role, in Night Tide from 1961, as a naïve but curious young sailor bewitched by a siren, offers a strange...

Celtic Connections 2020, Glasgow review - fine feast of Scot...

Celtic Connections, Scotland’s annual festival of folk, world and fusion music, has been brightening up dreich Glasgow Januaries...

Beethoven Discovery Day, Batiashvili, LSO, Rattle, Barbican...

#Beethoven250 is in full swing at the Barbican. Like most...

Onegin, Royal Ballet review - vivid and intelligent dance dr...

It’s no surprise that audiences love John Cranko’s Onegin, with its vividly economical narrative (close to...

Rags: The Musical, Park Theatre review - a timely, if predic...

“Take our country back!” is the rallying cry of the self-identified “real”...

Mahler's Eighth, CBSO, Gražinytė-Tyla, Symphony Hall Bi...

“Try to imagine the whole universe beginning to ring and resound” wrote...