mon 29/04/2024

Ismene Brown

Ismene Brown's picture
Bio
Dr Ismene Brown designed and launched the original version of The Arts Desk in 2009, and was the Site Coordinator and a board director for three years, as well as its dance editor. A musician trained at the Royal College of Music, she has been dance critic for the Daily Telegraph and the Spectator, and has also written for TAD on classical music, theatre, TV and film. Since then she has gained an MA at UCL and DPhil at Oxford University for work on the Soviet politician and arts minister Ekaterina Furtseva.

Articles By Ismene Brown

Pages

latest in today

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...

Testmatch, Orange Tree Theatre review - Raj rage, old and ne...

Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...