Graham Fuller | The Arts Desk

mon 22/09/2025

Graham Fuller

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Bio

Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

The Fighter Saturday, 05 February 2011 Read more...	The Oscar Nominations: Who Will, Who Might, Who Won't Wednesday, 26 January 2011 Read more...
Blue Valentine Wednesday, 12 January 2011 Read more...	The 10 Best Christmas Movies Tuesday, 21 December 2010 Read more...
Secretariat Friday, 03 December 2010 Read more...	Film Gallery: Bill Gold's PosterWorks Friday, 12 November 2010 Read more...
Tony Curtis Liked It Hot, 1925-2010 Thursday, 30 September 2010 Read more...	The Runaways Wednesday, 08 September 2010 Read more...
DVD Release: Black Narcissus Saturday, 31 July 2010 Read more...	Whatever Works Friday, 25 June 2010 Read more...
DVD Release: Stagecoach Tuesday, 15 June 2010 Read more...	Summer Hours Wednesday, 14 April 2010 Read more...
The Girl with the Dragon Tattoo Wednesday, 10 March 2010 Read more...	The Lovely Bones Monday, 15 February 2010 Read more...
theartsdesk in Fort Lauderdale: Norman Rockwell, the American Friend Sunday, 24 January 2010 Read more...	Where the Wild Things Are Saturday, 05 December 2009 Read more...

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'We are bowled over!' Thank you for your messages... ...

Coldwater, ITV1 review - horror and black comedy in the High...

Scripted by Belfast-born playwright David Ireland...

Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...

Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

Album: Mulatu Astatke - Mulatu Plays Mulatu

The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...

Music Reissues Weekly: Sly and the Family Stone - The First...

The remarkable The First Family: Live At Winchester Cathedral 1967 represents the first-ever release of a previously...

Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...