sat 24/02/2024

Fisun Güner

Fisun Güner's picture
Bio
Fisun is an art critic and writer and is the visual arts editor of theartsdesk. Her art writing has appeared in a range of publications, including The Spectator's Culture House blog, The Independent, Metro, The Evening Standard, New Statesman and Standpoint. You can follow her on Twitter @FisunGuner

Articles By Fisun Güner

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Sánchez, National Symphony Orchestra, Martín, National Conce...

Ravel’s Boléro, however well you think you know it, usually wows in concert with its disconcerting mix of sensuality, fun and violence....

Sargent and Fashion, Tate Britain review - portraiture as a...

At the turn of the 20th century, London’s smart set queued up to get their...

Uproar, Rafferty, Royal Welsh College, Cardiff review - a ra...

It’s not often one comes out of a concert of mainly new works with a spring in one’s step. A sigh of relief is rather more usual. But this concert...

The Big Life, Stratford East review - big-hearted musical br...

Is there a healthier sound than that of laughter ringing round a theatre? 

There are plenty of opportunities to...

Album: Everything Everything - Mountainhead

There are few bands who can claim to operate in a similar visionary style as Everything Everything. Since their 2010 debut Man Alive, the...

Marx in London, Scottish Opera review - the humour of histor...

An opera about a day in the life of Karl Marx doesn’t exactly...

Hir, Park Theatre review - incendiary production for Taylor...

In 2017, two years after Hir premiered, Taylor Mac was awarded a “Genius Grant” and nominated for a Pulitzer Prize for drama....

Memory review - love, dementia and truth

Procul Harum’s “A Whiter Shade of Pale” is given a new lease on life in...

Samuel Takes a Break... in Male Dungeon No. 5 after a long b...

You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you...

King Lear, Almeida Theatre review - Danny Sapani dazzles in...

Less than three years after her magnificent Macbeth, Yaël Farber returns to the Almeida with another...