David Nice
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.
Articles By David Nice
latest in today
Rebus, BBC One review - revival of Ian Rankin's Scottis...
The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...
Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...
Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...
Hough, Hallé, Elder, Bridgewater Hall, Manchester review - a...
It’s probably a bit early to be getting misty-eyed about the approaching end of Sir Mark Elder’s time as music director of the Hallé, but the...
Clinton Baptiste, Touring review - spoof clairvoyant on grea...
Clinton Baptiste – clairvoyant, medium and psychic – first appeared briefly as a character in Peter Kay’s Phoenix Nights on Channel 4....
Music Reissues Weekly: Andwella - To Dream
Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...
Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...
There’s a sense of cheerful abandon about Manchester Camerata’s ...
Album: Barry Adamson - Cut to Black
Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...
Carmen, Glyndebourne review - total musical fusion
It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...
The Great Escape Festival 2024, Brighton review - a dip into...
Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...
Fawlty Towers: The Play, Apollo Theatre review - lightning s...
There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...