tue 30/04/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Baker, Ridout, LaFollette, Schwizgebel, Fidelio Orchestra Cafe review - fun and ferocity

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Ragged Music Festival review - musical utopia in an East End schoolroom

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Viktoria Mullova, Misha Mullov-Abbado, Fidelio Orchestra Cafe review - a rainbow of brilliant artistry

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Bach’s The Art of Fugue, Angela Hewitt, Wigmore Hall – the many voices of humanity

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Academy of St Martin in the Fields review - from solo meditations to collective celebrations

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Castalian Quartet/Elizabeth Llewellyn, Simon Lepper, Wigmore Hall review - out of this world

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Finley, LPO, Gardner, Royal Festival Hall (p)review - special magic ready for streaming

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A London Saturday with Sheku Kanneh-Mason, Pavel Kolesnikov, Samson Tsoy and friends - review

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Fidelio, Garsington Opera review - heart of darkness, light-filled liberation

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Igor Levit, Wigmore Hall/Hill Quartet, Bandstand Chamber Festival review – seamlessness inside and out

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Eavesdropping on Rattle, the LSO and Bartók’s Bluebeard

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Alban Gerhardt, Markus Becker, Wigmore Hall review - long shadows and rich sounds

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Maggini Quartet/Friend, Solem Quartet, Bandstand Chamber Festival review - in harmony with nature

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The Shrine & Bed Among the Lentils, Bridge Theatre review - loneliness shared, with wit and melancholy

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Sócrates review - pain and grief on the Brazilian coast

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Aurora Orchestra, Collon, West Handyside Canopy review – energy blasts outside Kings Cross Waitrose

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Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Nadine Shah, SWG3, Glasgow review - loudly dancing the night...

First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...