wed 06/08/2025

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

When We Dead Awaken, The Norwegian Ibsen Company, Coronet Theatre review - living death, dying life

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Rachlin, Oslo PO, Mäkelä, Oslo Konserthus/Perianes, LPO, Berman, RFH review - the best-laid plans…

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Rigoletto, Royal Opera review - second time lucky

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The Cunning Little Vixen, English National Opera review - half-realised men and beasts

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This Is Going To Hurt, BBC One review - hospital drama with a realistic difference

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Kantorow, Philharmonia, Rouvali, RFH review – a new brilliance on the London concert scene

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Bajazet, Irish National Opera, Linbury Theatre review – robust but a bit rough

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Stikhina, Kowaljow, LSO, Noseda, Barbican review - dramatic songs of death, electrifying dances of life

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Fischer, LPO, Søndergård, RFH review - poised Mozart, lean and hungry Strauss

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Theodora, Royal Opera review - God, love, sex, death - and terrorism

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Ozark, Series 4 Part 1, Netflix review - the Macbeths of the southern lakes in even deeper waters

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Total Immersion: Music for the End of Time review - miracles from the house of the dead

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Lise Davidsen, Leif Ove Andsnes, Barbican review - perfect Grieg, impressive Strauss and Wagner

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Don't Look Up, Netflix review - hitting most targets in high style

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Force Majeure, Donmar Warehouse review - fissures in a marriage

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Le nozze di Figaro, Royal Opera review - New Year champagne

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"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...