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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

A Very English Scandal, BBC One review - making a drama out of a crisis

Monday, 21 May 2018 Read more...

The Handmaid's Tale, Series 2, Channel 4 review - it's not getting any better for Offred

Monday, 21 May 2018 Read more...

Innocent, ITV review - David Collins wants his life back

Thursday, 17 May 2018 Read more...

Patrick Melrose, Sky Atlantic review - an olympiad of substance abuse

Monday, 14 May 2018 Read more...

Anon review - adventures in cyber-noir

Friday, 11 May 2018 Read more...

Entebbe review – Seventies hijack drama remains grounded

Thursday, 10 May 2018 Read more...

Homeland, Series 7 Finale, Channel 4 review - Russian roulette

Monday, 07 May 2018 Read more...

Andrew Haigh: 'In the end you have to be able to make the decisions' - interview

Monday, 30 April 2018 Read more...

Jeff Beck: Still on the Run, BBC Four review - a legend without portfolio

Saturday, 28 April 2018 Read more...

Westworld, Series 2, Sky Atlantic review - big trouble in synthetic paradise

Tuesday, 24 April 2018 Read more...

Below the Surface, Series Finale, BBC Four review - tense and twisty to the bitter end

Sunday, 08 April 2018 Read more...

The City and the City, BBC Two review - detection in four dimensions

Saturday, 07 April 2018 Read more...

Deep State, Fox review - secrets, lies and spies

Friday, 06 April 2018 Read more...

Sweet Country review - hell in the Outback

Wednesday, 04 April 2018 Read more...

In the Long Run, Sky 1 review - bright start for multiracial comedy

Friday, 30 March 2018 Read more...

Ready Player One review - Spielberg goes back to the future

Thursday, 29 March 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Kali Malone and Drew McDowell generate 'Magnetism'...

It’s weird, right? We’ve somehow stumbled into a world where, for all we’re told that algorithms homogenise music, actually more people than ever...

The Makropulos Case, Royal Opera - pointless feminist compli...

Janáček described his nature-versus-humanity fable The Cunning Little Vixen as “a merry thing with a sad...

Othello, Theatre Royal, Haymarket review - a surprising mix...

Perspectives on Shakespeare's tragedy have changed over the decades....

Benson Boone, O2 London review - sequins, spectacle and chee...

After cancelling his Birmingham gig an hour before curtain-up due to illness, the anticipatory hype around whether...

Die My Love review - good lovin' gone bad

Directed by Lynne Ramsay and based on the book by Ariana Harwicz, Die My Love is an unsettling dive into the disturbed psyche of...

Midlake's 'A Bridge to Far' is a tour-de-forc...

“Climb upon a bridge to far, go anywhere your heart desires.” The key phrase from the title track of Midlake’s sixth studio album conveys the...

Macbeth, RSC, Stratford review - Glaswegian gangs and ghouli...

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few...

Sananda Maitreya, Town Hall, Birmingham review - 80s megasta...

During a false start to “Billy Don’t Fall”, on Sunday night at Birmingham’s iconic Town Hall, Sananda Maitreya took the opportunity to address the...

First Person: Kerem Hasan on the transformative experience o...

There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De...