Sam Marlowe
Bio

Sam trained as an actor, and began her writing career as a critic and features writer for What's On In London magazine. She later became the magazine's theatre editor, before going on to work at The Independent, where she regularly contributed arts features. She is now a freelance arts journalist and regular theatre critic for The Times, Metro and the Chicago Tribune, and a judge for Theatre Awards UK.

articles by Sam Marlowe

latest in today

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Nowhere welcomes Ukrainians (and Palestinians too, for that matter) more warmly than Ireland, and especially Dublin. A standing ovation…
Harry Fehr’s directorial take on The Cunning Little Vixen is a sound one: keep it simple. Together with set and costume designer Nicky Shaw…
Strongroom is a film to be endured as much as enjoyed, Vernon Sewell’s low-budget thriller almost unbearable to watch in its final stages.…
In one of the loveliest operatic scores of all time, Dvořák makes cruel demands on his eponymous water nymph and the prince for whom she…
The stern and glowering demeanour of David Morrissey’s character, Michael Polly, looms over this six-part drama like the embodiment of a…
This was a concert of music by living women composers, and I guess you could call all three of its components protest music. Cheerful or…
In director Paolo Sorrentino’s new film La Grazia, Tony Servillo portrays a fictitious Italian president, the ageing Mariano De Santis, who…
Solo albums by musicians from established bands can be interesting beasts - not least when discovering which route they’ve decided to take…
“Your term is about to end,” Italian president De Santis (Toni Servillo) is told, with implications which extend far past politics.…