tue 24/06/2025

tv

Fake, ITV1 review - be careful what you wish for

Adam Sweeting

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series. 

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Formula E: Driver, Prime Video review - inside the world's first zero-carbon sport

Adam Sweeting

The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but also triggered a chain reaction of similar behind-the-scenes sports documentaries. Suddenly we had Break Point (tennis), Full Swing (golf) and Tour de France: Unchained (cycling, obviously), hotly pursued by series on rugby, soccer and American Indiecar racing.

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Flintoff, Disney+ review - tumultuous life and times of the great all-rounder

Adam Sweeting

Documentaries about sports stars are now a dime a dozen, but you can only be as good as your subject matter.

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Your Friends & Neighbors, Apple TV+ review - in every dream home a heartache

Adam Sweeting

It had begun to seem that Jon Hamm, whatever other roles he might appear in, was destined to be forever remembered exclusively as Mad Men’s Don Draper. Character and actor had made such a perfect fit that it was impossible to prise them apart. I always liked the idea of Hamm as a retro-James Bond set in Ian Fleming’s original 1950s period, but they wouldn’t listen.

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MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

Adam Sweeting

A year ago Guy Ritchie brought us the Netflix series The Gentlemen, and now here he is on Paramount+ with his latest romp through the verdant pastures of criminal low-lifery. It seems that top thespians are queueing up to bag a slice of Ritchie-world, and an impressive cast includes Pierce Brosnan, Tom Hardy and Helen Mirren.

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This City is Ours, BBC One review - civil war rocks family cocaine racket

Adam Sweeting

The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great tradition in rambunctious style. Sean Bean (pictured below) plays Ronnie Phelan, paterfamilias of a Liverpool cocaine-importing operation, with Jack McMullen as his son Jamie. Julie Graham steps up to the plate as Ronnie’s wife, Elaine.

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The Potato Lab, Netflix review - a K-drama with heart and wit

Helen Hawkins

When the world’s darkness is too much, there is a Netflix rabbit-hole you can disappear down to a kinder place: the Korean romcoms section. This is a recommendation for romcom fans, a warm indulgent bubble bath of a watch. It's like turning the clock back to more innocent times, while full of contemporary pizzazz. 

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Adolescence, Netflix review - Stephen Graham battles the phantom menace of the internet

Adam Sweeting

A dictionary definition of adolescence is “the transitional phase of growth and development between childhood and adulthood”, but in this four-part drama it looks more like a nightmare zone of uncontrolled rage, anxiety and sexual confusion.

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Drive to Survive, Season 7, Netflix review - speed, scandal and skulduggery in the pitlane

Adam Sweeting

Last year’s sixth season of Drive to Survive radiated an air of diminishing returns. It was as though the novelty of its spy-in-the-paddock ethos was wearing off as the Formula One teams sought to mould the show to suit their own interests, and what once felt spontaneous had begun to seem rehearsed.

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A Cruel Love: The Ruth Ellis Story, ITV1 review - powerful dramatisation of the 1955 case that shocked the public

Adam Sweeting

The story of Ruth Ellis’s execution in 1955 has found its own macabre niche in British folklore, and has been been the subject of several film, stage and TV treatments. Perhaps the most memorable of these was Mike Newell’s 1985 film Dance with a Stranger, in which Miranda Richardson played Ellis.

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