RSC
Imperium, Gielgud Theatre review - eventful, very eventful, Roman epicThursday, 05 July 2018History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with cuts, the big new thing was “event theatre”, huge shows that amazed audiences because of their epic qualities and marathon slog. A good example is David... Read more... |
Hamlet, RSC, Hackney Empire review - Paapa Essiedu's winning DaneMonday, 19 March 2018Shakespeare's death-laden play is alive and well and breathing with renewed force in Hackney, the last British stop for an RSC touring Hamlet that moves on from London to the Kennedy Centre in Washington DC in May. Let's hope the American capital... Read more... |
Titus Andronicus, RSC, Barbican review - blood will outWednesday, 20 December 2017Live theatre, eh? It had to happen. On press night a sound of what seemed to be snoring (the production’s really not dull) revealed, in the Barbican stalls, a collapse. About an hour in, a huge amount of blood is smeared over Titus Andronicus’s... Read more... |
Julius Caesar, RSC, Barbican review - Roman bromance plays straightThursday, 14 December 2017Even more than some of Shakespeare’s other histories, Julius Caesar inevitably offers itself to “topical interpretation”, a Rorschach test of a play which directors short of an original idea can extrapolate to project their own political aperçus... Read more... |
Antony and Cleopatra, RSC, Barbican review - rising grandeurWednesday, 13 December 2017Is there a key to “infinite variety”? The challenge of Cleopatra is to convey the sheer fullness of the role, the sense that it defines, and is defined by only itself: there’s no saying that the glorious tragedy of the closing plays itself out, of... Read more... |
David Edgar: 'Ebenezer Scrooge is alive and well'Monday, 27 November 2017Since mid-August, I’ve been doing something I swore I’d never do again. I’ve been rehearsing a new adaptation of a novel by Charles Dickens. Sometime in the autumn of 1979, I received a phone call from Trevor Nunn, artistic director of the Royal... Read more... |
Coriolanus, Barbican review - great, late Shakespeare compels but doesn't stunMonday, 13 November 2017Coriolanus is post-tragic. It never horrifies like Macbeth or appals like King Lear, though its self-damaging protagonist is disconcerting enough. Shakespeare had written the signature dark dramas by 1606, including the most magnificent of the four... Read more... |
Peter Hall: A ReminiscenceTuesday, 12 September 2017Theatre artist, political agitator, cultural advocate: Sir Peter Hall was all these and more in a career that defies easy encapsulation beyond stating the obvious: we won’t see his like again any time soon. He helped shape my experience and... Read more... |
Extract: Peter Brook - Tip of the Tongue: Reflections on Language and MeaningSunday, 10 September 2017A long time ago when I was very young, a voice hidden deep within me whispered, "Don’t take anything for granted. Go and see for yourself." This little nagging murmur has led me to so many journeys, so many explorations, trying to live together... Read more... |
Love's Labour's Lost/Much Ado About Nothing, RSC, Theatre Royal HaymarketFriday, 16 December 2016“The words of Mercury are harsh after the songs of Apollo.” A sudden cold breeze blows through the endless summer afternoon of Love’s Labour's Lost in the play’s final moments. Death enters Shakespeare’s Edenic garden and innocence is lost. But what... Read more... |
10 Questions for Director Christopher LuscombeTuesday, 06 December 2016When Shakespeare visits the bearpit of the West End, it is usually in the company of a big name: Judi Dench, Sheridan Smith, Martin Freeman. This Christmas the bard enters the Theatre Royal, Haymarket without any such support. And there is a... Read more... |
King Lear, RSC, BarbicanFriday, 18 November 2016At the conclusion of a year in which Britishness has come so resoundingly to the fore of the national debate – and with a play that at the time of its writing, 1605-6, was engaging with that concept no less urgently – the first impression made by... Read more... |