Royal Ballet
Ashton triple bill, Royal Ballet review – fond farewell to Zenaida YanowskySaturday, 03 June 2017
Nicely covering the many bases of Frederick Ashton's genius, the Royal Ballet triple bill which opened last night is a chance to see both the company and its founder choreographer on top form. The Dream shows Ashton at his narrative best, handling... Read more... |
Koen Kessels: 'there's a joke in ballet we only have two tempi' - interviewWednesday, 31 May 2017
Koen Kessels is on a mission to change the culture around music in ballet. Anyone who has heard the Belgian conduct will know that he is the right person for the job: Kessels makes the classic scores come alive in the pit like nobody else I’ve heard... Read more... |
Symphonic Dances, Royal Ballet review - a truly interesting creationFriday, 19 May 2017
Liam Scarlett must be worked off his feet. Just at the Royal Ballet, he made a full-length work, Frankenstein, last year and is currently working on a new Swan Lake; and now last night he has premiered a new abstract work, Symphonic Dances at the... Read more... |
Mayerling, Royal Ballet review - 'every ballet fan should see this'Saturday, 29 April 2017
Sure, there are things not to like about Kenneth MacMillan's Mayerling. Confusing plot. Plethora of characters. Unsympathetic (anti-)hero. Borderline melodramatic choreography. Tense, scary dénouement. But to be at the Royal Opera House last night... Read more... |
Balanchine's Jewels, Royal BalletMonday, 03 April 2017
Balanchine's Jewels is catnip to dedicated ballet lovers. A homage, faithful and brilliant as only a master could make, to three different styles of choreography and three different national sensibilities, it's as dense, expertly carved and... Read more... |
Crystal Pite, Flight Pattern, Royal BalletFriday, 17 March 2017
Can thirty minutes of contemporary ballet say something meaningful about the modern refugee crisis? It has been the surprise of the season to find myself asking this question not once, but twice, at the Royal Ballet. In Wayne McGregor's Multiverse,... Read more... |
Darcey Bussell: Looking for Margot, BBC OneWednesday, 21 December 2016
Classical dancers conventionally have the briefest of all performing careers in the arts, knowing from the very beginning that they'll be lucky to have 20 years of performing at the top of their abilities, after at least 10 years training from... Read more... |
The Nutcracker, Royal BalletThursday, 24 November 2016
Christmas - in the shape of Peter Wright's Nutcracker - has arrived earlier than usual at the Royal Opera House. This is to make space for a 70th anniversary run of The Sleeping Beauty that starts on 21 December: the two will run in tandem through... Read more... |
La Fille mal gardée, Royal BalletThursday, 29 September 2016
In a world of terrifyingly serious news, the opening of the Royal Ballet season with Frederick Ashton's pastoral frolic La Fille mal gardée might seem like a wanton disregard for reality, like a brass band playing "Oh I do like to be beside the... Read more... |
The Winter's Tale, Royal BalletWednesday, 13 April 2016
It was twelfth night for Christopher Wheeldon's two-year-old, three-act Shakespearean ballet, and this newcomer had one nervous anticipatory question. The verbal music is gone, only the plot remains, so could A Winter's Tale the play inspire... Read more... |
Wheeldon Triple Bill, Royal BalletSaturday, 13 February 2016
Christopher Wheeldon's new ballet Strapless scores a first on a number of counts. It’s the first co-production between the Royal Ballet and the Bolshoi (London gets first dibs – Moscow doesn’t get the goods for another 12 months). It forms part of... Read more... |
Rhapsody/The Two Pigeons, Royal BalletMonday, 18 January 2016
Perhaps the director of the Royal Ballet is a pigeon fancier? With this January run of The Two Pigeons following hard on the heels of one in November, the Royal Ballet's dancers have spent most of the autumn and winter practising the fluttering,... Read more... |
