sun 14/04/2024

Romeo and Juliet

'You want to cry from loving to do it so much' - Lynn Seymour 1939-2023

As a critic, I’ve rarely felt compelled to mourn publicly about an artist. Mourning goes somewhere beyond the usual sense of loss and gratitude when someone's death has been announced. But it's the only word when the departed is one of the very few...

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Romeo and Juliet, Creation Theatre online review - game version falls between stools

There is a promising production struggling to get out of this muddled concept. Creation Theatre (here partnered with Watford Palace) is well known for innovative, site-specific pieces, one of which –The Tempest – was adapted for the screen,...

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Matthew Bourne's Romeo and Juliet, Sadler's Wells review - heart-stopping drama

Your first thought on hearing there's a new Matthew Bourne Romeo and Juliet might well be 'doesn't it exist already?' So obvious does this marriage of high drama, lush iconic score, and Britain's premier dance maker seem that you might well be...

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Romeo and Juliet, Shakespeare's Globe review - 'too much brouhaha'

“Everything in extremity”. That announcement that the Capulet party is about to begin could just as well serve to describe Daniel Kramer’s Romeo and Juliet as a whole. Opening the Globe's new season, it will provoke reactions as conflicting as the...

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Romeo and Juliet, West Yorkshire Playhouse

Amy Leach’s energetic Romeo and Juliet is fast, furious and a little breathless, the setting transposed from Verona to a fairly grim contemporary Leeds. Think West Yorkshire Side Story. Leach’s starting point was hearing about conflict resolution in...

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Shakespeare triple bill, Birmingham Royal Ballet, Sadler's Wells

Shakespeare has always been a fertile source of inspiration for story ballets. Plays which exist in multiple dance versions include Romeo and Juliet, The Tempest, A Midsummer Night's Dream, The Taming of the Shrew and Hamlet, while Shakespeare...

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Prom 20: Roméo et Juliette, Monteverdi Choir, NYCoS, ORR, Gardiner

Like Prokofiev in his full-length ballet a century later, Berlioz seems to have been inspired by Shakespeare's Romeo and Juliet to bring forth his most compendious score. John Eliot Gardiner, who knows and loves every bar of light and shade in this...

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Romeo and Juliet, Garrick Theatre

Trouble remembering in which country Shakespeare’s star-crossed lovers cross paths? Branagh’s panting paean to Fellini will sort you out. Stylish as a monochromatic Vogue spread, and as self-consciously Italian as Bruno Tonioli guzzling lasagne in a...

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Arena: All the World's a Screen – Shakespeare on Film, BBC Four

In the last century, when the BBC took arts documentaries seriously, Arena was one of the highlights of the week. Nowadays its appearance is as rare as that of a Midwich cuckoo. Money, or rather the lack of it, is the problem. In our grave...

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theartsdesk in Berlin: Three Ballets

In London, seeing the same ballet company do three different pieces in three different theatres over four nights would be some kind of festival. In Berlin, it's just business as usual – albeit quite a busy week! – for the hard-working Staatsballett...

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Roméo et Juliette, BBCSO, Davis, Barbican

It was another Davis, the late Colin rather than the very alive Andrew, who used to be master of Berlioz's phenomenally inventive opera for orchestra with its novel explanatory prologue and epilogue. I like to think he'd have been looking down...

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Sacre, Sasha Waltz and Guests, Sadler's Wells

What dancemaker wouldn't want to tackle Le Sacre du Printemps (The Rite of Spring) at some point? Just as the Stravinsky score changed music, the original Ballets Russes production changed dance - and was then, conveniently, so completely forgotten...

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