portraits
'That brick red frock with flowers everywhere': painting Katherine MansfieldFriday, 15 June 2018
The well-known portrait of New Zealand’s greatest writer, Katherine Mansfield, is exactly 100 years old on 17 June 2018 (main picture). It was painted by the American artist Anne Estelle Rice. At that time, Mansfield and Rice were both staying in... Read more... |
David Shrigley/Brett Goodroad, Brighton Festival review - showcases puncturing the medium's pretenceTuesday, 15 May 2018
In his 1991 novel Mao II, Don DeLillo called the literary medium “a democratic shout”. His oft-quoted claim is that any man or woman on the street could strike it lucky, find their voice, and write a great book. Not only does everyone carry round a... Read more... |
Picasso 1932: Love Fame Tragedy, Tate Modern review - a diary in paint?Thursday, 22 March 2018
Painted in ice-cream shades punctuated with vivid red, the series of portraits made by Picasso in the early weeks of 1932 are as dreamy as love letters. His mistress Marie-Thérèse Walther – we assume it is she – lies adrift in post-coital languor,... Read more... |
Victorian Giants, National Portrait Gallery review - pioneers of photographyThursday, 15 March 2018
It is a very human crowd at Victorian Giants: The Birth of Art Photography. There are the slightly melancholic portraits of authoritative and bearded male Victorian eminences, among them Darwin, Tennyson, Carlyle and Sir John Herschel. The... Read more... |
Murillo: The Self-Portraits, National Gallery review - edged with darknessTuesday, 06 March 2018
Mortality inflects commemoration. So it is with portraiture: the likeness – particularly those which celebrate lives of status and accomplishment – will always be limned with death.The National Gallery’s tiny exhibition of Murillo’s two... Read more... |
Charles I: King and Collector, Royal Academy review - a well executed display of tasteTuesday, 30 January 2018
Titian! Mantegna! Rubens! Dürer! Veronese! Van Dyck! Raphael! Velazquez! About 140 works which were once part of Charles I’s 2,000-strong collection are reunited in a sumptuous collaboration between the Royal Academy and the Royal Collection.... Read more... |
From Life, Royal Academy review - perplexingly aimlessMonday, 11 December 2017
Dedicated to a foundation stone of western artistic training, this exhibition attempts a celebratory note as the Royal Academy approaches its 250th anniversary. But if the printed guide handed to visitors offers a detailed overview of working from... Read more... |
Highlights from the Taylor Wessing Photographic Portrait Prize 2017 - raw emotion, not always humanThursday, 16 November 2017
What does it take to be included in the Taylor Wessing Photographic Portrait Prize exhibition? This year 2,423 photographers entered 5,717 images: 2,373 of those photographers are left wondering what it takes to make the grade. Remarks from the... Read more... |
Cézanne Portraits, National Portrait Gallery review - eye-opening and heart-breakingMonday, 30 October 2017
Some 50 portraits by Paul Cézanne – almost a third of all those the artist painted that have survived – are on view in this quietly sensational exhibition. Eye-opening and heart-breaking, it examines his art exclusively in the context of his... Read more... |
Soutine's Portraits, Courtauld Gallery review - a superb, unsettling showMonday, 23 October 2017
This is the latest in a line of beautifully curated, closely focused exhibitions that the Courtauld Gallery does so well. Its subject is the great Russian-French painter Chaim Soutine (1893-1943) who, remarkably, has not had a UK exhibition devoted... Read more... |
Final Portrait review - utterly convincing portrayal of an artist at workMonday, 14 August 2017
I hate biopics about artists in which the portrayal of “genius” is hyped to the point where it becomes a ludicrous cliché. Although I appreciate that, as far as entertainment goes, seeing pigment brushed onto canvas is on a par with watching paint... Read more... |
The Encounter, National Portrait Gallery review - dazzlingly evocative drawingsFriday, 14 July 2017
As a line flows or falters, registering each slight change in pressure, pause, or occasional reworking, it seems to offer a glimpse into the mind of the artist at work. The line is the instrument of the artist’s eye, the often unpolished,... Read more... |
