thu 06/11/2025

musicals

Edinburgh Fringe: The Boy With Tape on His Face/ Barbershopera/ Tom Allen

The Boy With Tape on His Face: Sam Wills's original and inventive sight gags

This is a show of such originality and inventiveness that I will struggle to convey just how much fun it is to watch a man perform sight gags and physical comedy for an hour - and who does indeed appear throughout with a strip of black gaffer tape...

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The Seckerson Tapes: Kerry Ellis Interview

Kerry Ellis: a musical-theatre-diva-cum-rock-chick

Kerry Ellis amassed a legion of adoring fans when she went "green" playing Elphaba in Stephen Schwartz's smash-hit musical both in London and on Broadway. But her pre-eminence as a musical-theatre-diva-cum-rock-chick was secured earlier still when...

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Into the Woods, Regent's Park Open Air Theatre

Sometimes people leave you halfway through the wood. Sondheim meant that in a life-and-death kind of way, but it applied literally to this ingenious show at the autumnal August preview I attended. Some folk thought Act One’s knitting-up of...

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Edinburgh Fringe: Celia Pacquola/ Could It Be Forever?/ Sammy J

Celia Pacquola: she has that most Australian of virtues, acute self-awareness of bullshit

Celia Pacquola made her Fringe debut last year after storming various comedy festivals in her native Australia with a show about her boyfriend’s infidelity and, while it was entertaining enough, it lacked a bit of oomph. But her new show packs a...

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theartsdesk MOT: Les Misérables, Queen's Theatre

For most people a 25th anniversary is cause for celebration – a party, a dinner, maybe a few speeches. If you are musical theatre phenomenon Les Misérables however, festivities operate on an entirely different scale. London struggles to support two...

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Sister Act, London Palladium

Whooping it up: the one-time star of the two 'Sister Act' movies makes her London stage debut in a role originated by Maggie Smith

You can't move in London for American performers, whether it's the Yankee contingent of The Bridge Project at the Old Vic, or the presence at various addresses of Mercedes Ruehl, Jeff Goldblum, Glee star (and erstwhile Tony nominee) Jonathan Groff,...

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Edinburgh Fringe: Tiffany Stevenson/ Fair Trade/ Gutted: A Revenger's Musical

Tiffany Stevenson: her new show is about mums, celebs and bastards - what a combo

After making her Edinburgh debut last year, Tiffany Stevenson returns with another cracking show, Dictators. Ostensibly it’s about Mao, Hitler, Pol Pot, et al, but in reality she cleverly  manages to do a show about the mother-daughter relationship...

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Stephen Sondheim at 80, Royal Albert Hall

Everybody in the business says don’t think Sondheim is easy. I’ve seen galas where big names stumbled in under-rehearsed numbers, and last night Bryn Terfel and Maria Friedman slipped and almost fell on the same banana skins that had done for...

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theartsdesk MOT: The Phantom of the Opera, Her Majesty's Theatre

With summer now fully upon us, and tourists flocking to the West End, it seems a good time to lift the bonnet on the tireless engine of London’s long-running hit shows. Over the next six weeks theartsdesk will be giving six of London’s hardest-...

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Pygmalion, Chichester Festival Theatre

Revivals of George Bernard Shaw’s Pygmalion are generally too busy making an artistic case for the play over the My Fair Lady musical to worry about listening out for contemporary resonances. But in many ways Simon Cowell is the Henry Higgins of our...

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Aspects of Love, Menier Chocolate Factory

The Menier Chocolate Factory could scarcely be on mightier form, or so it seems, punching far beyond its weight as a small, out-of-the-way south London playhouse that is nonetheless responsible at the moment for five commercial transfers between...

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The Bernstein Project - Mass, Royal Festival Hall

Marin Alsop and the electric guitars, tip of the 500-strong iceberg in Bernstein's 'Mass'

It's been quite a week for youth and the vernacular in the world of so-called “classical” music. Multiply by four the seven fledgling stage animals currently firing up John Adams’s “earthquake-romance” in London's East End, add an orchestra of 13-to...

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