tue 08/10/2024

journalism

Under the Wire review - risking everything to tell the world the truth

She was “the most important war correspondent of her generation”, says Sean Ryan, her editor at The Sunday Times. And her colleague Paul Conroy describes her as “a complete and utter one-off – exceptionally driven, with a real sense of purpose”....

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John Tusa: 'the arts must make a noise' - interview

In our era of 24/7 news, downloadable from anywhere in the world at the touch of an app, it's hard to remember that not so very long ago the agenda was set by the BBC - the Home Service as Radio 4 was then called, and BBC TV, just the one channel,...

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The Post review - Spielberg's glorious paean to print

It beggars belief that, from the moment Steven Spielberg took delivery of the script by first-timer Liz Hannah, it took a mere 10 months to get The Post in the can. Its subject being the race to publish, that's a fitting rate of production....

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David Lodge: Writer’s Luck - A Memoir 1976-1991 review - literary days, in detail

Metaphor, metonymy, simile and synecdoche, anyone? FR Leavis, Roman Jakobson, Jacques Derrida, Frank Kermode? If any of this, and more, turns you on, this lengthy memoir will be irresistible. It is almost a day-by-day account of 15 years of the...

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Tina Brown: The Vanity Fair Diaries 1983-1992 review - portrait of an era of glitz and excess

Tina Brown’s first Christmas issue of Vanity Fair in 1984 had this to say about “the sulky, Elvisy” Donald Trump: “…he’s a brass act. And he owns his own football team. And he thinks he should negotiate arms control agreements with the Soviet Union...

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The Best of AA Gill review - posthumous words collected

Word wizard. Grammar bully. Sentence shark. AA Gill didn’t play fair by syntax: he pounced on it, surprising it into splendid shapes. And who cared when he wooed readers with anarchy and aplomb? Hardly uncontroversial, let alone inoffensive (he...

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Young Reviewer of the Year Award: the four finalists are...

In July we launched a competition in association with The Hospital Club to unearth talented young critics. We were clear about what we were looking for: “We want to read reviews that make us think – provocative, entertaining writing that gets under...

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Enter theartsdesk's Young Reviewer of the Year Award

The Hospital Club’s annual h.Club100 awards celebrate the most influential and innovative people working in the UK’s creative industries, with nominations from the worlds of film and fashion, art, advertising, theatre, music, television and more....

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Ink, Almeida Theatre review - The Sun rises while show sinks

The recent general election result proves that the power of the rightwing press has diminished considerably in the digital age, but there was a time when media magnate Rupert Murdoch could make grown-up politicians quake in their socks. James Graham...

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h.Club 100 Awards: Nina-Sophia Miralles, editor of Londnr Magazine

The Hospital Club's h.Club 100 Awards are so-called because they consist of 10 awards in 10 categories, each of which has 10 nominees. Nine of the awards are confined to a specifc area of the creative industries (stage, theatre, music etc). The...

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The Wipers Times, Arts Theatre review - 'dark comedy from the trenches'

You may be having a moment of déjà vu, as Ian Hislop and Nick Newman’s new play (which lands in the West End after a UK tour) was previously a BBC film (shown in 2013), and a very fine one too, covering as it does a true story from the First World...

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Christine

If Christine may occasionally be an uncomfortable film to watch, it’s impossible not to be gripped by Rebecca Hall’s sheer, virtuoso turn in the title role of Antonio Campos’ third feature: it sears itself on the memory with a pitiless rigour that...

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