Berlinale
The Way He LooksTuesday, 21 October 2014
Falling in love for the first time is one of the standard tropes of the movies. Brazilian director Daniel Ribeiro gives it a new twist by making the teenage hero of his The Way He Looks (Hoje Eu Quero Voltar Sozinho) blind, and realising in the... Read more... |
An Episode in the Life of an Iron PickerMonday, 21 April 2014
We see the harshness of everyday life in Danis Tanović’s An Episode in the Life of an Iron Picker first in its snowy, subsistence landscapes, as hero Nazif goes out to the forest to bring in whatever wood he can find to keep the family home warm.... Read more... |
Berlinale 2014: 20,000 Days on EarthMonday, 17 February 2014
He cuts a dash, that man Cave. Very tall, gangly, with his idiosyncratic snub nose and upside-down-U-shaped hair, the Australian is a one-off. His growly music isn’t always easy to like. In his fury days with the Birthday Party and the Bad Seeds, he... Read more... |
Berlinale 2014: The WinnersSunday, 16 February 2014
The Chinese thriller Black Coal, Thin Ice by director Diao Yinan won the Golden Bear at the closing ceremony of the Berlinale last night, as well as picking up the best actor prize for its star Liao Fan.It was a night for Asian cinema in general,... Read more... |
Berlinale 2014: The Kidnapping of Michel Houellebecq, Yves Saint Laurent, La belle et le bêteSunday, 16 February 2014
You couldn’t imagine The Kidnapping of Michel Houellebecq (****) coming out of anywhere except France. Three years ago the enfant terrible of French literature vanished for some days from a book tour, giving rise to rumours as extreme as that he had... Read more... |
Berlinale 2014: The Circle, Love Is Strange, Land of Storms, Praia do FuturoSunday, 16 February 2014
Back in the 1950s the Zurich underground club Der Kreis was a rare beacon of tolerance of homosexuality in Europe. Fitting then that Swiss director Stefan Haupt’s drama-documentary of the same name, The Circle (****), won this year’s Teddy award at... Read more... |
Berlinale 2014: BoyhoodSaturday, 15 February 2014
Not the least remarkable thing about Richard Linklater's Boyhood is its being shot over a decade – that’s probably a first in film history. And it’s more than a sociological experiment, portraying in vibrant contemporary detail and a lot of... Read more... |
Berlinale 2014: TriptyqueFriday, 14 February 2014
French-Canadian Robert Lepage is a clever theatre inventor and tireless dramatist. This includes film, though with much less frequency than his stage pieces. The latter have refined themselves into films that are not going to get people running off... Read more... |
Berlinale 2014: Cathedrals of CultureFriday, 14 February 2014
Back at the Venice Biennale in 2010, the German film director Wim Wenders showed a 3D video installation titled “If Buildings Could Talk”.Exploring the theme of how architecture interacts with human beings, and attempting to capture the soul of the... Read more... |
Berlinale 2014: Nymphomaniac, In Order of Disappearance, AloftWednesday, 12 February 2014
Stellan Skarsgård is having a good Berlinale. The veteran Swedish actor proved the main calming influence in Lars von Trier’s Nymphomaniac Volume One (***), which the Berlin festival screened as a world premiere in the director’s version, running at... Read more... |
Berlinale 2014: Two Men in Town, '71Monday, 10 February 2014
The opening days of the Berlinale have seen mixed reactions to high-profile English-language offerings. With its stylish sense of mittelEuropa, the festival’s premiere, Wes Anderson’s The Grand Budapest Hotel, apparently went down a treat. Much less... Read more... |
Berlinale 2013: Side Effects, Night Train to Lisbon, Reaching for the MoonFriday, 15 February 2013
Big hitters have graced Berlin, with the festival now reaching its close - Damon, Huppert and Binoche have been and gone, Deneuve is yet to come - but one of the more anticipated visits this week was Steven Soderbergh’s. He has said that Side... Read more... |
