abstract art
theartsdesk in Basel: More than MinimalismSunday, 20 April 2014
In a near-perfect, outward-looking Swiss city sharing borders with France and Germany, on a series of cloudless April days that felt more like balmy June than capricious April, anything seemed possible. The doors of perception which had slammed, I... Read more... |
theartsdesk in New York: The Armory Show at 100Sunday, 22 December 2013
Walk up Central Park West, past the Dakota building and all those plush-looking podiatrists’ offices with their gold plaques, and just before you get to the Museum of Natural History you’ll find the New-York Historical Society and Museum at 77th... Read more... |
We Went to WarThursday, 28 March 2013
In his 1970 television documentary for Granada, I Was a Soldier, British filmmaker Michael Grigsby was one of the first to look into the experience of US soldiers returning home from Vietnam. “Vietnam syndrome” may have been a few years away... Read more... |
Stewart Lee presents John Cage's Indeterminacy, Cafe OTOWednesday, 26 September 2012
John Cage is funny: this much we know. The deadpan prankster at the heart of 20th-century artistic experimentalism was always about the inadvertent punchline, the chuckle that comes from unexpected disjunction, the relief that comes from reminders... Read more... |
CD: Oberman Knocks - Beatcroff SlabsWednesday, 25 July 2012
Sometimes a record tells you whether you're going to like it before you've even hit play. With electronica this goes double: track titles like "Scanlon's Leaping Gore Pull", "Pneuquonsis on Return" and "Fewton Tension Chords" are either going to... Read more... |
Caro at Chatsworth, Chatsworth HouseSunday, 08 April 2012
The first and most unusual aspect of Caro at Chatsworth is that it is there: 15 outstanding sculptures by Sir Anthony Caro, placed in an irregular pattern around the formal 950ft early-18th-century Canal Pond, situated facing the southern vista... Read more... |
Mondrian || Nicholson in Parallel, The Courtauld GalleryMonday, 20 February 2012
Conversations between artists both verbal and visual are the flavour of the month: the big voice of Picasso is almost but not quite drowning out a septet of British artists over at Tate Britain. Now joining the chorus is a fascinating exploration of... Read more... |
Lucinda Childs Dance Company, Barbican TheatreWednesday, 19 October 2011
There are various disinterments of supposedly iconic dance-makers going on in this year's Dance Umbrella (some live ones more dead than the dead ones), but no one is going to beat for sheer éclat Lucinda Childs’ astonishingly beautiful minimalist... Read more... |
Frank Stella: Connections, Haunch of VenisonFriday, 30 September 2011
Art about art is one of my favourite kinds of art. Paintings, drawings, sculptures, films - works of art which talk about what art is, what the image is, what art can represent and what it can't - all appeal. It is not just a picture of some... Read more... |
Rothko in Britain, Whitechapel GallerySunday, 11 September 2011
Exhibitions with titles appended "in Britain" or "and Britain" tend to be the kiss of death: indicating concentration on a brief and insignificant visit, on the subject’s impact on British art or – even worse – the influence of local collectors on... Read more... |
Alina Ibragimova, Quay Brothers, Wilton's Music HallWednesday, 27 July 2011
Nine out of 10 attempts to feed an audience's visual responses to abstract music are doomed to failure; a great communicator will always conjure stronger pictures in the listener's mind. And there's no doubt that young violinist Alina Ibragimova... Read more... |
CD: Tuusanuuskat - Nääksää nää mun kyyneleetSunday, 03 July 2011
Abstract music will always be at a disadvantage compared to abstract art because of one thing: duration. It requires commitment and immersion, you can't sum it up at a glance, and when it stops it's gone until you go back to the start. Yet a record... Read more... |
