Gergiev, World Orchestra for Peace, Royal Albert Hall | reviews, news & interviews

Gergiev, World Orchestra for Peace, Royal Albert Hall

A lousy Mahler Four and an invigorating Mahler Five

by Igor ToronyilalicFriday, 06 August 2010

Valery Gergiev: 'This wasn't a Mahler performance about the eternal but about the moment. And in Gergiev's hands every moment was vital.'Chris Christodoulou

It seemed odd on paper. Two Mahler symphonies? In one night? I don't think I'd ever seen that. Last night's Prom showed why not. While Valery Gergiev's second half Mahler Five saw the stage transfigured into a writhing sea of bodies and the air filled with an epic sound, his first half starter, Mahler Four, fell flat on its face. One was a performance; the other was a rehearsal to a performance.

Explore topics

Share this article

...

Permalink Submitted by Frankie Perry (not verified) on Sat, 07/08/2010 - 18:22

The Principal Trumpet was Timur Martynov, and Gareth Davis wasn't on the flute. A bit harsh about the 4th in my opinion.

...

Permalink Submitted by Igor Toronyi-Lalic on Sat, 07/08/2010 - 18:58

You're absolutely right about the trumpeter, Frankie. Many thanks. Error corrected. The principal flautist in the Fourth certainly looked like Gareth Davies - whereas he definitely didn't resemble any of the other flautist listed in the programme. I felt he must have taken the place of LPO flautist Jaime Martin who I couldn't see. But I could be wrong.

...

Permalink Submitted by Charles Kaye (not verified) on Mon, 09/08/2010 - 07:38

Dear Mr Toronyi-Lalic You might have taken the trouble to check your facts before posting such an ill-informed criticism as yours on Friday. Maestro Gergiev arrived in London 4 days prior to the concert and had a total of 5 rehearsals, totalling 16 hours, of which more than 9 was spent on Mahler 4. Thanks to the BBC’s co-operation, two of these took place in the Hall itself, which is virtually unprecedented at the Proms. You are of course entitled to your opinion as to the success, or otherwise, of the performance and of Gergiev as a Mahler interpreter – but I ask that you remove the factual inaccuracies in your review, as my Orchestra is not prepared to let this stand as a matter of record and I trust that you do not wish to bring your website into disrepute. Yours sincerely – Charles Kaye Director, World Orchestra for Peace

...

Permalink Submitted by Charles Kaye (not verified) on Mon, 09/08/2010 - 07:47

And Jaine Martin was most certainly playing principal on Mahler 4...

...

Permalink Submitted by Charles Kaye (not verified) on Mon, 09/08/2010 - 07:49

Apologies, Jaime.... (typo)

...

Permalink Submitted by Igor Toronyi-Lalic on Mon, 09/08/2010 - 12:57

Many thanks for that information, Charles. I've amended my copy in light of what you say. I will just add one point. I think it speaks volumes about this orchestral enterprise - which strikes me as being supremely noble but flawed - that Gergiev spent nine hours with the orchestra on the Fourth and still couldn't deliver the goods.

...

Permalink Submitted by Charles Kaye (not verified) on Mon, 09/08/2010 - 15:36

Strange, Igor (don't you think) that you are the only reviewer (of 25 I have read to date) that felt Mahler 4 was under-rehearsed.... Might be more constructive if you leave reviews of future Gergiev concerts to one of your colleagues. And of course we are flawed - (nobody's perfect) - but at least we are trying to get a constructive message across through our concerts. Perhaps one day you will get the point -and join us in a more constructive approach...! Charles

...

Permalink Submitted by Igor Toronyi-Lalic on Mon, 09/08/2010 - 16:47

Strange that you missed all of these, Charles... The Independent: 'How much rehearsal time did they have for this concert? Not enough, one sensed'. The Telegraph: 'More glamour than polish'; 'individuality was more prominent than cohesion'. The Guardian: 'The teamwork doesn't consistently click'; 'there were some messy moments in both symphonies'. MusicalCriticism.com: 'The little rehearsal time that such assembled forces are allowed was glimpsed'; 'the second movement of the Fourth Symphony was just held together'. Norman Lebrecht: 'The fourth symphony was semi-coherent.' I'll leave it at that.

Add comment

more Classical music

Apartment House, Wigmore Hall online review - introspective music for isolated times Serene lockdown listening in three concerts dedicated to Morton Feldman

Classical CDs: Janáček, Myaskovsky, Prokofiev, John Wilson An arboreal opera, two Soviet symphonies and some rarely heard English string music

Gillam, Hallé, Bloxham, Hallé online review - music of poetry Turbulence, calm, and long, slow melodies in a concert commemorating 2020

The Soldier's Tale, Scottish Chamber Orchestra online review - top performers master a baggy mini-monster Actor and violinist excel in this Stravinsky-Ramuz confection

András Schiff, Wigmore Hall review - Bach in isolation Total focus on one composer brings balm for the spirit

Gabrieli Consort, McCreesh online review - joyous Bach Christmas Oratorio Pared-down reading makes for an immersive experience

Vienna New Year’s Day Concert, BBC Two/Radio 3 review - noble integrity and missionary zeal Riccardo Muti brings aristocratic melancholy to a surprisingly moving, audienceless ritual

Classical CDs Weekly: Sibelius, Roger Désormière, George Szell Three life-enhancing box sets

Bevan, LPO, Jurowski, RFH online review – never-ending stories A year of disruption ends in gusto – and doubt

'Having to establish a real conversation with the audience is a good challenge': Raffaello Morales on a possible musical future Pioneer of a rare 2020 success story, the Fidelio Orchestra Cafe, on adapting to change

Best of 2020: Classical music concerts Heroic smaller enterprises have kept music live under unpromising circumstances

Voces8 LIVE from London online review part 2 – an assortment box of Christmas choral treats The second half of this ambitious festival provides further multifarious pleasures

Follow @theartsdesk