fri 20/07/2018

Mahler

RSNO, Oundjian, Usher Hall, Edinburgh review - ending on a high in Mahler

Marking his departure as the Royal Scottish National Orchestra's Music Director after six years, Peter Oundjian definitely left on a high, conducting a gripping, visceral performance of Mahler’s last completed symphony. Its beginnings were glassy...

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Bavarian State Orchestra, Kirill Petrenko, Barbican review - Mahler's Seventh as dance suite

Serendipity as well as luxury saw to it that the night after Simon Rattle gave his farewell Festival Hall performance as music director of the Berlin Philharmonic, his imminent successor appeared over at the Barbican with another excellent German...

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LSO, Rattle, Barbican review - symphonies of death and new life

In the 27 years since he first conducted Mahler’s Ninth Symphony, Sir Simon Rattle has steadily integrated its moodswings and high contrasts into a reading of a piece which now feels more than ever like the work of a man engaged in a form of...

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LSO, Rattle, Barbican review - incandescent swansongs by Mahler and Tippett

Why would any conductor resist Mahler's last great symphonic adventure? By which I mean the vast finale of his Tenth Symphony, realised in full by Deryck Cooke, and not the first-movement Adagio, fully scored (unlike most of the rest) by the...

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Igor Levit, Wigmore Hall review – music for the ages

Frederic Rzewski marked his 80th birthday with a visit to the Wigmore Hall, for the premiere of his aptly titled Ages. The pianist Igor Levit is an ardent champion of Rzewski’s music and was the prime mover behind the commission (though it was...

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Classical CDs Weekly: Borup-Jørgensen, Mahler, Philippe Grisvard & Johannes Pramsohler

Axel Borup-Jørgensen: Marin Danish National Symphony Orchestra/Thomas Sôndergård (OUR Recordings)The physical effort involved in composing Marin was a huge strain on the Danish composer Axel Borup-Jørgensen (1924-2012). This ear-stretching musical...

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Goode, BBC Philharmonic, Gernon, Bridgewater Hall, Manchester review – making beautiful music

Just over a year since his Bridgewater Hall début, Ben Gernon appeared with the BBC Philharmonic there again – this time well into his role as their Principal Guest Conductor, yet his first concert with them there since officially taking up the...

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Song of the Earth/La Sylphide, English National Ballet review - sincerity and charm in a rewarding double bill

The unifying theme of this new Coliseum double bill is death, but don’t let that put you off. Kenneth MacMillan’s Song of the Earth and August Bournonville’s La Sylphide may seem like odd bedfellows, but both are a great deal more uplifting than...

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BBCSO, Storgårds, Barbican review – Jolas intrigues, Mahler 4 disappoints

Betsy Jolas is a pioneer, the programme for this BBC Symphony Orchestra concert told us, and she’s certainly unique. Now 91, she has been following her own course for many decades, an associate of the 1960s French avant-garde, but never a subscriber...

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Santtu-Matias Rouvali on conducting in Gothenburg - 'they just want to make music. No bullshit'

Sweden's ackowledged "National Orchestra", the Gothenburg Symphony, left its Chief Conductor post unfilled for four seasons, but now it's finally certain to have let the right one in. Having enjoyed a golden age in the (largely unsung) highest...

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BBCPO, Mena, Bridgewater Hall, Manchester review - Mahler's Third lovingly realised

Juanjo Mena memorably began his tenure as chief conductor at the BBC Philharmonic with a Mahler symphony (the Second), and chose to enter his seventh and last season with them at the Bridgewater Hall with the Third. It was a testimonial to an era at...

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Classical CDs Weekly: Cage, Mahler, Satie

 John Cage: Two4 Aisha Orazbayeva (violin), Naomi Sato (shō) (SN Variations)The shō is a Japanese wind instrument long associated with traditional court music. Looking like a bundle of sticks, its 17 pipes each plays a distinct pitch. Its sound...

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