When the first, and shattering, series of Utopia ended 18 months ago there were alarming suggestions that its ratings weren't good enough to justify a second, even though there was plenty of potential for one. On the other hand if there were to be a series two, could it ever be good enough?

The most notorious case of the BBC banning a pop record was the episode of the Sex Pistols' "God Save the Queen" in 1977, which was of course the year of Her Maj's Silver Jubilee. "That was genuinely dangerous," Paul Morley intoned gravely (the record that is, rather than its banning), though as with several of the cases examined here, this one wasn't quite as open and shut as it seemed.

The fall of super-cyclist Lance Armstrong is a subject fit for Euripides or Shakespeare. It has also worked pretty well for director Alex Holmes, who managed to round up virtually all the key players caught in Armstrong's vortex of deceit for this unflaggingly gripping documentary [****].

Common, Jimmy McGovern’s new BBC One drama about the effects of the joint enterprise law, seems at first sight to lack the topical horsepower of projects like Hillsborough. McGovern doesn’t disappoint, however, crafting from the apparent obscurity of an eighteenth-century statute intended to discourage aristocratic duels by implicating both parties a riveting, corkscrew-plotted narrative that brings to overdue public notice an easily abused and abusive regulation that today targets the opposite end of society.

Janet McTeer has admitted that she had to read Hugo Blick's screenplay for The Honourable Woman three times before she could understand what was going on. Therefore anybody hoping to drop into this as a casual viewer can expect to find the learning curve slippery and featuring a pronounced adverse camber.

They came, they saw, they conquered. It was the Sixties and London swung, while the suburbs of Melbourne and Sydney dozed in a beery torpor. Clive James recalls the fizz of beer pumps as the dreary soundtrack of Aus, while Germaine Greer just wanted to escape to “a place of beauty”. She believed, she said, in the “great Australian ugliness”. No one mentioned the cultural cringe, at least not in the first part of Howard Jacobson’s two-part homage to his four brilliant Australians. The cringe, nonetheless, hovered in the air, unspoken, pervasive.

In 40 years’ time, when some suit at the BBC is searching the archives for some suitable footage to illustrate women in music in the early 21st century, will he pull out an image of Miley Cyrus or Rihanna wrapped in fishnets and bondage tape?

Well, I’ll be damned if subscriptions don’t shoot up this summer. This lovingly made paean to the New York Review of Books, directed by Martin Scorsese and his long-time documentary collaborator David Tedeschi, was better than any advert, though I’d hesitate – but only briefly – to say that it was one long advert. 95 minutes probably makes it an advertorial feature, like those misleading pages you see in magazines and increasingly newspapers.

Wolverhampton today, tomorrow the world. As unlikely as it was, that was the incentive for aspiring prize-winners in this first of three stories from Channel 4 looking at regional beauty pageants which in turn lead to Miss England and beyond.

We last saw Dr Pamela Cox presenting BBC Two's Servants: the True Story of Life Below Stairs. Having done the academic's-eye-view of Upstairs Downstairs, she has now moved on to the world of Mr Selfridge in this three-part survey of the rise of the shopgirl from obscurity to comprehensive takeover.